Esther Bubley Up Front

  • Esther Bubley, New York, New York (detail), 1948; Gelatin silver print, 8 3/4 x 9 3/4 in.; Gift of Kenneth and Lori Polin and Family; © Jean B. Bubley; Photograph by Lee Stalsworth
    Esther Bubley, New York, New York (detail), 1948; Gelatin silver print, 8 3/4 x 9 3/4 in.; Gift of Kenneth and Lori Polin and Family; © Jean B. Bubley; Photograph by Lee Stalsworth
  • Esther Bubley, Untitled (Washington, D.C.) (detail), 1943; Gelatin silver print, 9 x 8 in.; Gift of Jill and Jeffrey Stern; © Jean B. Bubley; Photograph by Lee Stalsworth
    Esther Bubley, Untitled (Washington, D.C.) (detail), 1943; Gelatin silver print, 9 x 8 in.; Gift of Jill and Jeffrey Stern; © Jean B. Bubley; Photograph by Lee Stalsworth
  • Esther Bubley, Wahoo, Nebraska (detail), 1948; Gelatin silver print, 8 3/4 x 9 3/4 in.; Gift of Diana and Gabriel Wisdom; © Jean B. Bubley; Photograph by Lee Stalsworth
    Esther Bubley, Wahoo, Nebraska (detail), 1948; Gelatin silver print, 8 3/4 x 9 3/4 in.; Gift of Diana and Gabriel Wisdom; © Jean B. Bubley; Photograph by Lee Stalsworth

Esther Bubley Up Front on view September 4, 2015–January 17, 2016.

Esther Bubley (1921–1998) was a photojournalist renowned for her revealing profiles of the United States and its people in the 1940s, ’50s, and ’60s. Having developed an interest in photography in high school, Bubley received her big break in 1942 when she was hired as a darkroom assistant for Roy Stryker, the famed head of the photographic unit of the Office of War Information (OWI) in Washington, D.C. With Stryker’s guidance, Bubley embarked on her first assignments documenting wartime in the nation’s capital.

Bubley continued to work under Stryker when he was commissioned by the Standard Oil Company to create a photographic file documenting the oil industry—a project similar to his work at the OWI. One of Bubley’s earliest projects for Standard Oil was a profile on the oil boom town of Tomball, Texas. She immersed herself in the town, its people, and its activities for six weeks. Her images of the community provide a compellingly intimate document of small-town American life in the mid-20th century.

Bubley’s talent for creating probing and gently humorous images of Americans contributed to her success in photojournalism. She freelanced for various corporations and publications including Life and Ladies’ Home Journal, illustrating subjects from the Miss America pageant to after-school programs to farm life. In an industry dominated by men, Bubley was one of the few women whose photographic accomplishments led her to the top of the field.


Esther Bubley Up Front, presented in the Teresa Lozano Long Gallery of the National Museum of Women in the Arts, is organized by the museum and generously supported by its members.