Broad Strokes Blog
Grace Lynne Hayes debuts a new portrait of Sojourner Truth for this week’s cover of the New Yorker ; A profile on Thandi Sibisi, South Africa’s first Black woman gallerist; A new show on ecofeminism at Thomas Erben Gallery; and more.
Louise Dahl-Wolfe, Margaret Bourke-White , ca. 1940; Gelatin silver print, 10 x 10 1/2 in.; NMWA, Gift of Helen Cumming Ziegler; Photograph by Louise Dahl-Wolfe © 1989 Center for Creative Photography, Arizona Board of Regents
Louise Dahl-Wolfe, Margaret Bourke-White , ca. 1940; Gelatin silver print, 10 x 10 1/2 in.; NMWA, Gift of Helen Cumming Ziegler; Photograph by Louise Dahl-Wolfe © 1989 Center for Creative Photography, Arizona Board of Regents
Broad Strokes Blog
Ursula von Rydingsvard: The Contour of Feeling presents the artist’s monumental cedar wood sculptures alongside newer works for the first time.
Ursula von Rydingsvard, OCEAN VOICES , 2011–12; Cedar and graphite, 4 ft. 5 in. x 15 ft. 5 in. x 5 ft. 7 in.; © Ursula von Rydingsvard, Courtesy of Galerie Lelong & Co.; Photo by Jonty Wilde
Ursula von Rydingsvard, OCEAN VOICES , 2011–12; Cedar and graphite, 4 ft. 5 in. x 15 ft. 5 in. x 5 ft. 7 in.; © Ursula von Rydingsvard, Courtesy of Galerie Lelong & Co.; Photo by Jonty Wilde
