Possibility
by Alexa Patrick
Studies have shown that we acquire language from our mothers
before we are born, that by the time we are born, we can even
decipher our native language from others.
Shhh…Do you hear it?
these gallery walls sing
to us, their vibrant dialect
of color, material, movement,
teach us what our hands can do
when they are steady, and intent.
Do you hear it?
a museum of chronicled change
of which women have not only
always been part, but of which
we’ve been a vital center.
Never asking for power,
but demanding it like an eye
to a canvas, that says, yes,
I am here and no,
I am not moving.
The year is 1610.
Fede Galizia paints a bowl
of cherries so sure they shine
like apples we are allowed to bite.
We, snakeless, and brilliant
and if built from bones it is
from our own spines.
The year is 1939.
I imagine Alice Neel
painting her elegy for the living.
How there were wars in Harlem,
and wars abroad and in that small room
a war within a man’s body
that now lives forever.
The year is 1993,
and a “Nana” is pregnant with
something that could be me.
Reaches high towards sky as if
her back don’t ache, feet
don’t hum their dull reminder
to rest.
Yes, as our shoes metronome this marble,
kiss sacred ground,
may we find every piece
holding close possibility
like a language
native to us all.
For if not for these pieces pinned
to this building like brooches,
I would have no words now
to share with you, myself.
Not all women, mothers,
not all mothers, women,
and yet, here, I am knelt
like a child. Listen for their
knowing echoes and respond:
Thank you, Fede!
Thank you, Alice!
Thank you, Niki!
Thank you, Frida!
Thank you, Chakaia!
Thank you, Amy!
and Georgia! and Alison! and The Guerrilla Girls! and! and! and!
for carrying our culture,
giving us bricks to build
resistance, revolution,
renaissance
‘cause when we speak,
when we speak,
you hear them all singing
at the backs of our throats!
© Alexa Patrick. This poem may not be reproduced in part or in its entirety.
About Alexa Patrick
Alexa Patrick (she/her) is a vocalist and poet from Connecticut. She is the author of Remedies for Disappearing (Haymarket Books, 2023) and holds fellowships from Cave Canem, the DC Commission on the Arts and Humanities, and more. In addition to the National Museum of Women in the Arts, she has collaborated on artistic partnerships with Meta and Microsoft. In spring 2023, Alexa made her stage debut in the featured role of Un/Sung in the opera We Shall Not Be Moved, directed by Bill T. Jones. You can find her work in publications including the Adroit Journal, CRWNMAG, and The BreakBeat Poets Vol. 2: Black Girl Magic (Haymarket Books, 2018).
