Tawny Chatmon: Audio Guide
Tawny Chatmon (b. 1979, Tokyo) creates evocative, layered portraits that celebrate Black culture and challenge bias. Her series “The Reconciliation” examines ingredients and meals that have nourished Black families for centuries.

Tawny Chatmon, Economic Heritage, from the series “The Reconciliation,” 2024; Embroidery and acrylic paint on archival pigment print, 47 x 32 in. (unframed); Courtesy of the artist and Galerie Myrtis
Overview
This online exhibition has been created as a companion to Tawny Chatmon: Sanctuaries of Truth, Dissolution of Lies, on view at NMWA from October 15, 2025, to March 8, 2026. Hear reflections from the artist’s family members and friends about the foods presented in “The Reconciliation.”
“Food has always played a major role in the lives of Black people, serving not only as nourishment, but also as a means of preservation. This series invites us to return to the table and to keep alive the tradition of family dinners, where stories are shared, wisdom is passed down, and our connections are strengthened.”
—Tawny Chatmon
Don't Bite the Hand That Feeds You
Soup Joumou
Don’t Bite the Hand That Feeds You (2025) portrays multiple generations of a family posing with the ingredients for soup joumou, a traditional Haitian dish associated with the country’s long and successful fight for independence from France.

In Honor of Phyllis
Mac and Cheese
In Honor of Phyllis (2025) depicts the artist’s mother-in-law and her sister standing with the ingredients for macaroni and cheese, a staple of their family dinners and celebrations.

That Which is Planted, Shall Become the Harvest
Collard Greens
In That Which is Planted, Shall Become the Harvest (2025), the artist captures her mother, Pearl, cradling a leafy head of collard greens, a food prepared by multiple generations of her family.

A Blessed Offering
Black-Eyed Peas
A Blessed Offering (2025) portrays the artist’s sister holding a heaping plate of black-eyed peas, a dish their father cooked every New Year’s Eve.

In Honor of Pearl
Buttermilk Biscuits
In Honor of Pearl (2025) pays homage to Chatmon’s family tradition of making buttermilk biscuits. The ingredients for biscuits are centered in this composition, arranged like a recipe.

In Honor of Rudy
Chitlins
In Honor of Rudy (2025) depicts the artist’s husband holding a plate of chitlins, or chitterlings, a dish made from pig intestines that holds a place of importance in Black American cuisine.

Not Buried, Rooted
Sweet Potatoes
The subject of Not Buried, Rooted (2025) holds a bowl of sweet potatoes, a food at the heart of many of the artist’s family recipes.

Exhibition Sponsors
Tawny Chatmon: Sanctuaries of Truth, Dissolution of Lies is organized by the National Museum of Women in the Arts. The exhibition is made possible by the Revada Foundation of the Logan Family. Additional support is provided by Jamie Gorelick and Richard Waldhorn and the Sue J. Henry and Carter G. Phillips Exhibition Fund.
Funding for the exhibition catalogue is generously provided by The Deborah Buck Foundation.