Urgent Museum Notice

Ethel Page

Close up of Ethel Page

Realistic half-portrait of a light-skinned woman, set against a dark background, with her face brightly illuminated as she gazes directly at the viewer. She is clad in dark Victorian dress with her hair pinned up under a hat adorned with a red velvet bow.

Cecilia Beaux, Ethel Page (Mrs. James Large), 1884; Oil on canvas, 30 x 25 1/8 in.; National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay

Ethel Page
Cecilia Beaux

Cecilia Beaux captured the likenesses of numerous cultural and political leaders, but many of her most powerful portraits depicted her relatives and friends. Ethel Page (Mrs. James Large) came from a distinguished Philadelphia family that traced its lineage to Roger Williams, the founder and governor of Rhode Island. Page met the artist in 1876; this painting is the first of many portraits of her by Beaux.

Typical of Beaux’s early style, this picture features a brightly illuminated face set against a dark, unarticulated background. Only the large red bow on Page’s hat breaks the muted palette. Beaux’s broad handling of paint is evident in the thick brush strokes visible in the sitter’s fur cape.

The rich, dark tone of the picture, the sense that it captures a moment, and the emphasis on the subject’s personality all demonstrate the influence of major Philadelphia portraitists. In particular, Beaux certainly knew the works of Thomas Eakins.

Artwork Details

  • Artist

    Cecilia Beaux
  • Title

    Ethel Page
  • Date

  • Medium

    Oil on canvas
  • Dimensions

    30 x 25 1/8 in.
  • Donor Credit

    Gift of Wallace and Wilhelmina Holladay
  • On Display