Urgent Museum Notice


Close up of Gloves

An open book into whose pages the shapes of hands have been cut. Gray gloves painted with red veins are visible through the cutouts. An identical pair of gloves rest next to the book.

Meret Oppenheim, Glove (Parkett magazine, No. 4), 1985; Screenprint on goat suede with thread, 8 3/4 x 3 1/4 in.; National Museum of Women in the Arts, Gift of Thomas Hill, in memory of Rosemary Furtak; © Meret Oppenheim Estate, Courtesy of Lisa Wenger and Martin A. Bühler; Photo by Lee Stalsworth

Meret Oppenheim

While living in France as an art student, Oppenheim made many unusual sketches for gloves. She designed gloves covered with fur in 1934 and gloves showing the hand’s bone structure in 1936 (the same year as her famous fur-covered teacup, saucer, and spoon titled Object). Elsa Schiaparelli’s avant-garde fashion house in Paris also commissioned her to create sketches of gloves and jewelry, which offered the young artist a chance to earn some money.

Bice Curiger, Oppenheim’s biographer, author of her catalogue raisonné, and editor of Parkett art magazine, worked with the artist on an edition of 150 pairs of goat-suede gloves to be sold with the deluxe edition of Parkett issue no. 4, 1985. For the magazine, Oppenheim adapted glove designs she made in the 1930s and early 1940s. She projected a hand’s network of veins onto the gloves.

Hands are the artist’s working tools. Oppenheim’s many images of gloves created during her lifetime may attest to her concern for her own hands, as well as expressing her interest in fashion and wearable art.

Artwork Details

  • Artist

    Meret Oppenheim
  • Title

  • Date

  • Medium

    Screenprint on goat suede
  • Dimensions

    8 3/4 x 3 1/4 in. (each glove)
  • Donor Credit

    Gift of Thomas Hill in memory of Rosemary Furtak, from her collection
  • Photo Credit

    Lee Stalsworth
  • On Display