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A woman with light colored skin, wearing a black top and white pants, talks to a group of people in a gallery room. She stands in front of a large, painted portrait of a woman in a high-collared red dress.
National Museum of Women in the Arts

Portrait of a Woman (Presumed Portrait of the Marquise de Lafayette)

A light-skinned woman with grey hair stands in front of a dark landscape. She smiles slightly, wearing a blue dress with long sleeves, white lace, and a brown belt with a dark buckle. A large white feather perches on her blue hat, a gold earring hangs from her right ear.
Adélaïde Labille-Guiard, Portrait of a Woman (Presumed Portrait of the Marquise de Lafayette), 1793-94; Oil on canvas, 30 3/4 x 24 3/4 in.; National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay
Close up of Portrait of a Woman (Presumed Portrait of the Marquise de Lafayette)
A light-skinned woman with grey hair stands in front of a dark landscape. She smiles slightly, wearing a blue dress with long sleeves, white lace, and a brown belt with a dark buckle. A large white feather perches on her blue hat, a gold earring hangs from her right ear.

On May 31, 1783, Adélaïde Labille-Guiard and Élisabeth Louise Vigée-LeBrun became the 12th and 13th women ever granted full membership in the French Royal Academy, bringing the number of female members to its limit of four.

In her earlier portraits of French nobility, Adélaïde Labille-Guiard had proven herself adept at rendering intricate details of elaborate clothing, furniture, and architecture. In Portrait of a Woman (Presumed Portrait of the Marquise de Lafayette), however, the artist created an effective image with minimal elements and ornamentation.

Labille-Guiard’s sitter wears a simple dress of the type favored by women during the early years of the French Revolution. She wears no ornate jewelry. She is not posed in an elaborate architectural setting, and even the landscape backdrop is relatively restrained. Her somewhat tentative smile emphasizes the sitter’s physical attractiveness without unduly flattering her.

Artwork Details

  • Artist

    Adélaïde Labille-Guiard
  • Title

    Portrait of a Woman (Presumed Portrait of the Marquise de Lafayette)
  • Date

    1793–94
  • Medium

    Oil on canvas
  • Dimensions

    30 3/4 x 24 3/4 in.
  • Donor Credit

    Gift of Wallace and Wilhelmina Holladay
  • On Display

    No