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A woman with light colored skin, wearing a black top and white pants, talks to a group of people in a gallery room. She stands in front of a large, painted portrait of a woman in a high-collared red dress.
National Museum of Women in the Arts

Receiver

Old-fashioned black Bakelite telephone receiver with seven taxidermied chick heads with open beaks protruding from the earpiece.
Polly Morgan, Receiver, 2009; Taxidermy quail chicks and Bakelite telephone handset, 9 x 2 1/2 x 3 1/2 in.; National Museum of Women in the Arts, Gift of Ilene Gutman; © Polly Morgan; Photo by Lee Stalsworth
Close up of Receiver
Old-fashioned black Bakelite telephone receiver with seven taxidermied chick heads with open beaks protruding from the earpiece.

When taxidermist Polly Morgan started exhibiting her work, she “wanted to confound people’s expectations of taxidermy.” Morgan combines antique or vintage elements with the contemporary. She pairs animals with familiar objects such as balloons, or, in this case, a telephone handset, for a more modern look.

In Receiver, a bevy of quail chicks emerge from an earpiece, with their mouths wide open as if ready for a feeding, creating a visual representation of the sounds transmitted over the phone. The smooth, polished, black Bakelite handset matches the chicks’ dark eyes, but contrasts with the textures of their pale yellow feathers and pink beaks.

Morgan used groups of chicks in several works after noticing that anything, no matter how seemingly harmless, can be intimidating in a large enough group. Imagine placing your ear against this phone—the sharpness of the beaks, the implied sound of their eager cries. What type of news would you expect to hear?

Artwork Details

  • Artist

    Polly Morgan
  • Title

    Receiver
  • Date

    2009
  • Medium

    Bakelite telephone handset, Taxidermy quail chicks
  • Dimensions

    9 x 2 1/2 x 3 1/2 in.
  • Donor Credit

    Gift of Ilene Gutman
  • Image Credit

    © Polly Morgan; Photo by Lee Stalsworth
  • On Display

    No