Urgent Museum Notice

5 Fast Facts: Jaune Quick-to-See Smith

Blog Category:  Artist Spotlight

Impress your friends with five fast facts about artist Jaune Quick-to-See Smith (b.1940), whose work Indian, Indio, Indigenous (1992) is on view in NMWA’s newly reinstalled collection galleries.
1. Cultural Arts Worker
Smith describes herself as a “cultural arts worker” and uses her art to raise awareness of the maltreatment of the Native American community, both historically and today. She uses a combination of traditional tribal motifs and contemporary symbols to call attention to issues regarding human rights, consumerism, and the environment.

A large-scale collage including striped and polka-dotted fabrics; the masthead of Smith's reservation newspaper, Char-Koosta; parts of a U.S. map; and a comic strip. These collaged elements are juxtaposed with blocks of stained or roughly brushed and dripped paint.
Jaune Quick-to-See Smith, Indian, Indio, Indigenous, 1992; Oil and collage on canvas, 60 x 100 in.; National Museum of Women in the Arts, Museum purchase: Members’ Acquisition Fund; © Jaune Quick-to-See Smith

2. Power in Numbers
Since the 1970s, Smith has curated exhibitions highlighting Native women artists to counteract art world gender imbalance. She recalled that “one woman… laid [an exhibition] catalog against her cheek and cried, she had no idea there were so many Native women artists out there and she no longer felt alone.”

A painted image of a bird with some stick figure faces drawn in the background, the words "Batteries Not Included" are typewritten vertically on the left side. The colors are terracotta neutrals -- brown, tan, red, and orange, with a bit of blue on the bird.
Jaune Quick-to-See Smith, Four Directions, 1994; Lithograph with linocut collage, 48 1/4 x 34 x 1 1/2 in.; National Museum of Women in the Arts, Gift of Anastasia Pfarr; © Jaune Quick-to-See Smith

3. Going Green
Smith has described her work as “Nomad Art,” which embodies the ideals of Nomadic life: take only what you need from the earth and respect the materials that you use. Many of her artworks include biodegradable materials like rice glue, charcoal, and rag paper.
4. Horse Power
Horses are a common motif in Smith’s works. This imagery was influenced by her father’s role as a horse trader and rodeo rider in the Pacific Northwest and California. Horses run through Smith’s works such as Trick Rider (1999) and War Horse in Babylon (2005).
5. Pioneering Change
As one of the first Native women to be recognized as a renowned modern and contemporary artist, Smith has stated that “[Her] generation is the first to break the ‘buckskin ceiling.’”

Related Posts

  • Edna Reindel: An Inspiring Artist for an Unprecedented Time

    Posted: May 27, 2020 in Artist Spotlight
    Edna Reindel's "Women at War" paintings express her viewpoint that humans endure—and even thrive— during challenging times when they work communally and pursue equity.
    Painting of a light-skinned woman wearing safety goggles and working with machinery in an industrial warehouse setting. In the background, other light-skinned figures work on airplane parts.
    Blog Category:  Artist Spotlight
  • Xaviera Simmons: “How might our entire history have been different…?”

    Posted: Jan 08, 2020 in Artist Spotlight
    In her writings on racial and social justice, Xaviera Simmons has expressed a desire to understand what it takes to shift political systems. Her art works to shift our notions of race, history, and collective narratives.
    Blog Category:  Artist Spotlight
  • Landscape of Change: Janaina Tschäpe’s “100 Little Deaths”

    Posted: Oct 15, 2019 in Artist Spotlight
    Janaina Tschäpe began her "100 Little Deaths" series in 1996 as an exploration of landscape, transmutation, and death. Each self-portrait depicts the artist sprawled face down in different environments around the world, often with limbs akimbo.
    Blog Category:  Artist Spotlight