Broad Strokes Blog
Through her layered, photography-based art, Chatmon addresses racist myths and elevates cultural truths, celebrating Black families and traditions.
Tawny Chatmon, Peace and Joy Are the Birthrights of All Beings , from the series “Remnants,” 2021–22; 24k gold leaf, paper, and acrylic on archival pigment print, 59 x 39 in.; On loan from Tania and Steve Weiss; © Tawny Chatmon; Image courtesy of the artist and Galerie Myrtis
Tawny Chatmon, Peace and Joy Are the Birthrights of All Beings , from the series “Remnants,” 2021–22; 24k gold leaf, paper, and acrylic on archival pigment print, 59 x 39 in.; On loan from Tania and Steve Weiss; © Tawny Chatmon; Image courtesy of the artist and Galerie Myrtis
Broad Strokes Blog
NMWA’s new collection installation features thematic galleries such as “Seeing Red,” which explores artists’ rosy, bold, and fiery uses of the color red.
Alma Woodsey Thomas, Orion , 1973; Acrylic on canvas, 59 3/4 x 54 in.; National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay; © 2024 Estate of Alma Thomas (Courtesy of the Hart Family)/Artists Rights Society (ARS), New York; Photo by Lee Stalsworth for NMWA
Alma Woodsey Thomas, Orion , 1973; Acrylic on canvas, 59 3/4 x 54 in.; National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay; © 2024 Estate of Alma Thomas (Courtesy of the Hart Family)/Artists Rights Society (ARS), New York; Photo by Lee Stalsworth for NMWA
