Lee Krasner Retrospective, Independent Curators International, Los Angeles County Museum of Art, 1999; Lee Krasner: A Retrospective, The Museum of Fine Arts, Houston, 1983; Lee Krasner: Large Paintings, Whitney Museum of American Art, New York City, 1973
Pathmakers: Women in Art, Craft, and Design, Midcentury and Today, 2015–2016
Four Centuries of Women's Art: The National Museum of Women in the Arts, 1990
Women Artists of the New Deal Era: A Selection of Prints and Drawings, 1988
About the Artist
Lee Krasner was one of the first generation Abstract Expressionist painters. Through six decades devoted to art, she continually explored innovative approaches to painting and collage.
Born in Brooklyn, New York, to a Russian Orthodox Jewish family, Krasner pursued formal art training at several New York City institutions and also studied with the influential German abstract painter Hans Hofmann. Like many of her generation, Krasner supported herself in the 1930s by working for the Works Progress Administration’s Federal Art Project. Her positions with the Mural Division provided her with valuable experience working on a larger scale. She was also an active member the Artists Union and American Abstract Artists, and her commitment to such activism continued throughout her life.
Krasner married the gifted, but troubled painter Jackson Pollock in 1945. Long overshadowed by Pollock, Krasner was actually an established abstract artist well before she met him. Fully engaged in the New York art scene of the ’30s and ’40s, she introduced Pollock to the artist Willem de Kooning and critic Clement Greenberg, among other key figures.
During her time with Pollock at their home near Springs, Long Island, Krasner developed her Little Image paintings. Thickly painted with abstract symbols, these works are today considered among her most significant contributions to Abstract Expressionism.
When her 11 year marriage ended with Pollock’s death in an automobile crash, Krasner devoted the rest of her life to promoting Pollock’s art and ensuring his legacy, while also continuing her own exploration of abstraction. In 1978 Krasner was finally accorded her rightful place alongside Pollock, Rothko, and the others in the exhibition Abstract Expressionism: The Formative Years. The last decade of her life also brought numerous honors, awards, and publications.