Upcoming Exhibitions

Close-up detail of an abstract painting with very thick and gestural brushstrokes of mostly orange paint.

Featured Upcoming Exhibition

Sep 26, 2025, to Jan 11, 2026
Women were integral participants in the thriving artistic economy of the Low Countries during one of the most dynamic periods in the region’s history. Works by more than forty women artists from the areas of present-day Flanders in Belgium and the Netherlands are on view, including paintings, prints, sculptures, paper cuttings, and textiles, many presented for the first time in the United States. Dispelling the notion that Dutch and Flemish women artists of the time were rare or obscure, this exhibition reveals their vital role in shaping the visual culture of the region.
View Exhibition: Women Artists from Antwerp to Amsterdam, 1600-1750
A still life painting featuring an asymmetrical arrangement of flowers; the central section features pink, orange, yellow, and blue flowers and is dramatically highlighted compared to the background and outer edge of arrangement.
Rachel Ruysch, Roses, Convolvulus, Poppies and Other Flowers in an Urn on a Stone Ledge, ca. late 1680s; Oil on canvas, 42 1/2 x 33 in.; NMWA, Gift of Wallace and Wilhelmina Holladay; Photo by Lee Stalsworth

All Upcoming Exhibitions

  • Tawny Chatmon: Sanctuaries of Truth, Dissolution of Lies

    Oct 15, 2025, to Mar 08, 2026

    Through her photography-based art, Tawny Chatmon (b. 1979, Tokyo, Japan) addresses racist myths and elevates cultural truths. She centers and celebrates Black childhood and family bonds while also recontextualizing dehumanizing dolls, figurines, and food histories. Chatmon intensifies and embellishes her large-scale photographs through both digital techniques and meticulous handmade elements. She elongates the bodies of her models, heightens their features, and adds mosaic-like and embroidered patterns. Presenting these powerful works in ornate frames, Chatmon honors the preciousness of her subjects.

    In a mixed-media artwork, a dark-skinned girl with pigtails wears a gold sleeveless dress and stands against a gold background.

    Tawny Chatmon, I Was Born to Stand in the Light, from the series “Remnants,” 2020-22; 24-karat gold leaf, paper, acrylic, and mixed media on archival pigment print, 63 x 41 in. (framed); Courtesy of the artist and Galerie Myrtis