The Artist and Her Family at a Fourth of July Picnic ca. 1864

A group of well-dressed, middle-class Americans enjoy a picnic next to a pond in this idyllic genre scene. Painting.

Lilly Martin Spencer, The Artist and Her Family at a Fourth of July Picnic, ca. 1864; Given in memory of Muriel Gucker Hahn by her loving husband, William Frederick Hahn, Jr. Conservation funds generously provided by the Florida State Committee of the National Museum of Women in the Arts.

Lilly Martin Spencer’s The Artist and Her Family at a Fourth of July Picnic depicts an idyllic genre scene in which well-dressed, middle-class Americans celebrate their country’s independence by eating, drinking, and entertaining one another.

The painter’s husband, Benjamin, sprawls on the ground at the center of the scene, his weight apparently too much for the tree swing. Though most of the assembled crowd seems highly amused by his fall, a child attempts to help him up.  A woman with arms outstretched, an image of the artist herself, comes to his aid from the left.

On one level, this painting is exactly what it seems: a charming scene that pokes fun at human foibles. However, recent scholarship has suggested that Spencer’s painting is also an allegorical commentary on the state of the nation and the abolition of slavery. According to this interpretation, Benjamin’s undignified pose and the general merriment that greets his accident indicate a lack of respect for traditional authority.

Additionally, the black male servant at the right distractedly pours a glass of wine onto a white woman’s dress; his female counterpart looks away from the baby in her charge; a boy shoots a pistol into the air; and a young woman models a soldier’s cap. All of these vignettes can be read as symbols of societal upheaval.

National Museum of Women in the Arts