Study for Sculpture 1967

Matte gray sculpture features a 9-x-9 grid of knotted cords hung in random positions.

Eva Hesse, Study for Sculpture, 1970; Gift of Wallace and Wilhelmina Holladay; © The Estate of Eva Hesse, Hauser & Wirth Zürich, London

Work Details

Study for Sculpture
Sculp-Metal, cord, Elmer’s glue, acrylic paint, and varnish on Masonite
10 x 10 x 1 in
Gift of Wallace and Wilhelmina Holladay
On Display

About This Work

In her abstract sculptures, Eva Hesse modified the precision of 1960s Minimalism to emphasize the expressive and experimental essences of creativity. Hesse’s exploratory approach foreshadowed the multitude of processes and materials that characterize sculpture in our post-modern period. Hesse mined contradictions, developing sculptures that are simultaneously hard and soft, precise and irregular, solid and open, and intellectual and erotic. Her works often relate to the human body, and many are imbued with erotic undercurrents.

Study for Sculpture comprises a clear 9-x-9 grid, but the knotted cords hang in random positions. Hesse contrasted the tightness of the knots at the ends of the cords with the limpness of the cords themselves. Light and shadow play an important role in this work, as does the use of gravity as a shaping force.

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