Urgent Museum Notice

Eva Watson-Schütze

A soft-focused black-and-white photograph of a young light-skinned woman. She is in profile, and her light-colored hair is pulled into a bun. She wears a ruffled hat, with a sash tied under her chin. She is positioned in profile looking to the left of the image.

Photo by Thomas Eakins; Courtesy of the Philadelphia Museum of Art; Gift of Seymour Adelman

1867–1935

Like many late-19th-century photographers, Watson-Schütze originally intended to become a painter. She studied painting with Thomas Eakins for six years at the Pennsylvania Academy of the Fine Arts, only later developing her passion for photography.

In 1897, she opened her own Philadelphia portrait studio. Within four years, Watson-Schütze had established a significant reputation as a professional photographer—exhibiting works in the prestigious Philadelphia Salon and group shows that traveled to London and Paris. She also wrote articles on photography for several periodicals.

The artist married the German-born lawyer Martin Schütze in 1901 and moved to Chicago. There, Watson-Schütze’s career continued to prosper. In 1902 she was elected to membership in the Linked Ring, an important London-based organization that promoted pictorialism, which emphasized artistic as opposed to purely documentary photography. The following year she helped found the Photo-Secession, an early-20th-century movement that promoted photography as a fine art, and in 1905 Alfred Stieglitz exhibited her work at his influential New York Gallery, 291.

Watson-Schütze established a new studio in Chicago and continued to build her reputation. She and her husband spent their summers in Woodstock, New York. Eventually Watson-Schütze lived there six months out of the year, working on photography and painting.

Artist Details

  • Name

    Eva Watson-Schütze
  • Birth

    Jersey City, New Jersey, 1867
  • Death

    Unknown, 1935
  • Phonetic Spelling

    AY-vah WHAT-sehn-SHOOTS-(uh)

Works by Eva Watson-Schütze

The Rose

The Rose demonstrates Eva Watson-Schütze’s talent for creating dramatic photographs with pictorial qualities.

Here she posed the young woman against a plain studio backdrop, emphasizing the irregular outline of her dress. Positioned in the center of the composition, the sitter faces the camera directly. Watson-Schütz heightened the feeling of flatness by emphasizing the outline of the model’s body against the background.

Watson-Schütze chose...

Narrow and vertical, this full-length photographic portrait depicts a light-skinned woman in sepia tones. Wearing a long, elaborately brocade dress, her long, dark hair cascading over one shoulder, she clasps an impressive long-stemmed rose in front of her with both hands.