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5 Fast Facts: Ruth Orkin

Blog Category:  5 Fast Facts
Ava Gardner, a woman with light skin tone and wavy, short brown hair, is shown from the shoulders up. She wears a jeweled necklace and is surrounded by lights and people at a party. She looks to the side of the camera at something out of frame with a fixed gaze and slight smile.

Ruth Orkin (1921–1985), an award-winning photojournalist and filmmaker, discovered her passion for photography as a young girl when thumbing through family scrapbooks filled with snapshots of Old Hollywood (her mother was a silent film actress). At 10 years old, Orkin received her first camera, a modest 39-cent device that helped develop her extraordinary career. NMWA’s collection includes 74 images by Orkin, which is a representative sampling of her 40-year body of work.

A black and white photo of a young woman with close-cropped dark hair, a beaded choker necklace and beaded earrings. She looks up and to the left. Her lips are parted as if about to speak. The photograph is hazy; globe lights and male figures are blurred in the background.
Ruth Orkin, Celebrity (Ava Gardner at Hollywood party), 1950s; Vintage gelatin silver print, 7 x 7 1/4 in.; NMWA, Gift from the collection of Charles S. and Elynne B. Zucker

Known for capturing the individual and collective human spirit, Orkin was particularly adept at picturing remarkable women at remarkable moments. Here are the stories behind a few she immortalized on film:

1. Herself

In 1939, at age 17, Orkin took a solo cross-county bike trip…without modern conveniences like a mobile phone or GPS. She traveled from Los Angeles to the World’s Fair in New York City, hitchhiking, hosteling, sightseeing, and capturing more than 300 photographs along the way. Her bicycle and shadow became self-portrait surrogates.

2. Marian Anderson (1897–1993)

Orkin precariously stood on a plank of wood balanced on two sawhorses to photograph the renowned singer rehearsing with conductor Leonard Bernstein at Lewisohn Stadium in New York City in 1947. This intimate image was snapped eight years after Anderson’s famous Lincoln Memorial concert for a desegregated audience (1939) and eight years before she became the first black singer to perform at the Metropolitan Opera (1955).

3. Ethel Waters (1896–1977), Carson McCullers (1917–1967), and Julie Harris (1925–2013)

Orkin photographed this talented triumvirate on opening night of the Broadway production of Carson McCullers’s The Member of the Wedding (1950). The play starred Waters, a veteran performer, and Harris, a rising star. Waters is known for recordings like “Stormy Weather” (1933) and for being the first African American to star in a television show and receive a Primetime Emmy nomination. Harris went on to become a highly awarded performer—she was an Oscar short of an EGOT.

A black and white photograph of three figures, angled from the left corner of the sofa on which they sit closely together. A young light skinned girl with a pixie cut leans over the arm of the sofa holds a cigarette and a small white mug to her lips. Next to him, another young girl with chin-length dark hair and bangs embraces an older, dark-skinned woman.
Ruth Orkin, Ethel Waters, Carson McCullers, Julie Harris, opening night, “The Member of the Wedding,” NYC, 1950; Gelatin silver print; NMWA; © Ruth Orkin; Photo courtesy of the Ruth Orkin Photo Archive

4. Ninalee Craig (1927–2018)

Craig, the subject of one of Orkin’s most famous series, “American Girl in Italy” (1951), befriended the photographer in Italy during a solo trip to Europe. Together they staged photographs addressing challenges and surprises that women faced when traveling alone. Cosmopolitan published Orkin’s images in the article “Don’t Be Afraid to Travel Alone.”

5. Kathrine Switzer (b. 1947)

Orkin photographed Kathrine Switzer the day she became the female winner of the 1974 New York City Marathon. Before this victory, Switzer broke gender barriers in the running world. In 1967, was the first woman to officially run the Boston Marathon, only possible because her registration name, K.V. Switzer, didn’t reveal her gender. Women were banned from running the Boston race until 1972, the same year their results were officially recognized in the New York City Marathon.

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