The fifth installment of NMWA’s Women to Watch exhibition series, Heavy Metal, is presented by the museum and participating national and international outreach committees. The exhibition showcases contemporary artists working...
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Although Hung Liu (b. 1948, Changchun, China) works in a variety of mediums, her portraits are unified by a unique style characterized by richly colored veils of drip marks—an effect...

Nameless but Not Forgotten: Hung Liu’s Portraits
Posted:
February 15, 2018
Category:
Artist Spotlight
Hung Liu In Print, NMWA’s newest exhibition, features works by Chinese artist Hung Liu (b. 1948) that pay homage to the forgotten individuals who influence history.
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For more than five decades, Sylvia Snowden (b. 1942, Raleigh, North Carolina) has created vibrantly abstract works. Her palette ranges from dark and earthy to bright and artificial, and she...
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Magnetic Fields: Expanding American Abstraction, 1960s to Today places abstract works by multiple generations of black women artists in context with one another—and within the larger history of abstract art—for...

Magnetic Fields: Expanding American Abstraction, 1960s to Today places abstract works by multiple generations of black women artists in context with one another—and within the larger history of abstract art—for...

Magnetic Fields: Expanding American Abstraction, 1960s to Today places abstract works by multiple generations of black women artists in context with one another—and within the larger history of abstract art—for...

Magnetic Fields: Expanding American Abstraction, 1960s to Today places abstract works by multiple generations of black women artists in context with one another—and within the larger history of abstract art—for...

Magnetic Fields: Expanding American Abstraction, 1960s to Today places abstract works by multiple generations of black women artists in context with one another—and within the larger history of abstract art—for...

Magnetic Fields: Expanding American Abstraction, 1960s to Today places abstract works by multiple generations of black women artists in context with one another—and within the larger history of abstract art—for...
