Questions about a woman’s “place” resonate in our culture, and conventional ideas about the house as a feminine space persist. Global artists in Women House recast conventional ideas about the...

Questions about a woman’s “place” resonate in our culture, and conventional ideas about the house as a feminine space persist. Global artists in Women House recast conventional ideas about the...

Questions about a woman’s “place” resonate in our culture, and conventional ideas about the house as a feminine space persist. Global artists in Women House recast conventional ideas about the...

Although Hung Liu (b. 1948, Changchun, China) works in a variety of mediums, her portraits are unified by a unique style characterized by richly colored veils of drip marks—an effect...

Hung Liu In Print, NMWA’s newest exhibition, features works by Chinese artist Hung Liu (b. 1948) that pay homage to the forgotten individuals who influence history.

For more than five decades, Sylvia Snowden (b. 1942, Raleigh, North Carolina) has created vibrantly abstract works. Her palette ranges from dark and earthy to bright and artificial, and she...

On Saturday, December 9, D.C.-based poet Danielle Badra led Firsthand Experience: Responsive Poetry at the museum. The day started with an exquisite corpse group activity: Using artworks as prompts, each...

Magnetic Fields: Expanding American Abstraction, 1960s to Today places abstract works by multiple generations of black women artists in context with one another—and within the larger history of abstract art—for...

Magnetic Fields: Expanding American Abstraction, 1960s to Today places abstract works by multiple generations of black women artists in context with one another—and within the larger history of abstract art—for...

Magnetic Fields: Expanding American Abstraction, 1960s to Today places abstract works by multiple generations of black women artists in context with one another—and within the larger history of abstract art—for...