Graciela Iturbide’s Mexico
Graciela Iturbide’s Mexico on view February 28–May 25, 2020
For the past 50 years, Graciela Iturbide (b. 1942, Mexico City) has produced majestic, powerful, and sometimes visceral images of her native Mexico. One of the most influential contemporary photographers of Latin America, Iturbide transforms ordinary observation into personal and lyrical art. Her signature black-and-white gelatin silver prints present nuanced insights into the communities she photographs, revealing her own journey to understand her homeland and the world.
Graciela Iturbide’s Mexico is the artist’s most extensive U.S. exhibition in more than two decades, comprising 140 photographs organized around nine themes. Her photographs that document the Seri, Juchitán, and Mixtec societies offer compelling insight into the daily lives and customs of indigenous men and women. Iturbide demonstrates her deep awareness of complex cultural symbols through representations of processions honoring the dead, as well as lavish, exuberant fiestas that highlight Mexico’s pre-Hispanic and Spanish heritages. Her depictions of animals, birds, and plants are rendered with as much sensitivity as her images of people, calling attention to the relationship between human presence and nature.
Also featured are Iturbide’s haunting snapshots of Frida Kahlo’s personal items left at her home, Casa Azul (Blue House), after Kahlo’s death. The photographs connect Iturbide to Kahlo, another of Mexico’s most celebrated artists, as two women who have used their craft to grapple with—and transcend—the hardships and tragedies of life.
This online exhibition provides an immersive look at the themes and many works from the exhibition, with text in both English and Spanish.
Explore exhibition themes and artworks in depth in this special blog series. Continue to check back as new posts are added.
Explore this online playlist of videos related to the exhibition and to the life and work of Graciela Iturbide.
Graciela Iturbide’s Mexico is organized by the Museum of Fine Arts, Boston.
Presentation of the exhibition at NMWA is made possible by RBC Wealth Management and City National Bank with additional support provided by the Sue J. Henry and Carter G. Phillips Exhibition Fund and Agnes Gund.
The museum extends appreciation to the Embassy of Mexico and the Mexican Cultural Institute in Washington, D.C.