Jaune Quick-to-See Smith

Jaune Quick-to-See Smith

Born 1940

Artist Details

Birth Place
St. Ignatius, Montana
Phonetic Spelling
zho(n) kwihk-too-see smith
Drawings and prints; Painting; Performance Art
Places of Residence
Corrales, New Mexico
University of New Mexico, Albuquerque, 1980; Framingham State College, Framingham, Massachusetts, 1976; Olympic College, Bremerton, Washigton, 1960
Retrospective Exhibitions

Layered Stories: Jaune Quick-to-See Smith, Holter Museum of Art, Helena, Montana, 2016; Jaune Quick-To-See Smith: I See Red, Paintings and Prints 1992-2005, Moore College of Art and Design, Philadelphia, 2011

NMWA Exhibitions

Trove: The Collection in Depth, 2011–2012
Pressing Ideas: Fifty Years of Women’s Lithographs from Tamarind, 2011
Telling Secrets: Codes, Captions, and Conundrums in Contemporary Art, 2009–2010
Preserving the Past, Securing the Future: Donations of Art, 1987–1997, 1997–98
Presswork: The Art of Women Printmakers, 1991


About the Artist

Jaune Quick-to-See Smith, an enrolled member of the Confederated Salish and Kootenai Tribes of the Flathead Indian Nation, Montana, bridges Native American art forms and modernist styles.

Raised on the Flathead Reservation, Smith is deeply connected to her heritage. She creates work that addresses the myths of her ancestors in the context of current issues facing Native Americans. her inspiration stems from the formal innovations of such artists as Pablo Picasso, Paul Klee, and Robert Rauschenberg, as well as traditional Native American art.

Smith works with paint, collage, and appropriated imagery. Through a combination of representational and abstract images, she confronts subjects such as the destruction of the environment, governmental oppression of native cultures, and the pervasive myths of Euro-American cultural hegemony. 

Smith has had more than eighty solo exhibits over the past thirty years. During the same period , she organized and curated more than thirty Native exhibitions and lectured at almost 200 universities, museums, and conferences.

She has also completed several collaborative public art works such as the floor design in the Great Hall of the Denver International Airport; an in-situ sculpture piece in Yerba Buena Park, San Francisco, and mile-long sidewalk history trail in West Seattle.

National Museum of Women in the Arts