Urgent Museum Notice

Anna Maria van Schurman

A painting of a light-skinned adult woman with dark hair. She wears a large, luxurious, brown fur coat and holds an open book in her hands.

Jan Lievens, Portrait of Anna Maria van Schurman, 1649; National Gallery, London


Although she maintained that she was self-taught, van Schurman probably studied engraving with Magdalena van de Passe, daughter of the Utrecht engraver and publisher Crispijn van de Passe. Van Schurman received praise for her artwork and was made an honorary member of the painter’s guild (Guild of St. Luke) in Utrecht in 1643.

Born in Cologne, Germany, in 1607, van Schurman learned to read by age four and later studied Latin, Greek, and several other languages. As the daughter of wealthy parents, she was educated in the humanities alongside her older brothers. Forced to move often to avoid religious intolerance, van Schurman’s Protestant family settled in Utrecht in 1623 after her father’s death. There, she met poets and philosophers and further cultivated her academic interests.

During the 1630s, van Schurman began corresponding with scholars and philosophers regarding the place of women in academics. She later published dissertations and treatises advocating for the education of women in science and language. However, after becoming a member of the Labadists—a Protestant sectarian community founded by Jean de Labadie, a former Catholic priest—she abandoned her earlier secular interests in science and classic literature. Van Schurman, who never married, remained a member of the group until her death in 1678.

Artist Details

  • Name

    Anna Maria van Schurman
  • Birth

    Cologne, Germany, 1607
  • Death

    Wieward, Netherlands, 1678
  • Phonetic Spelling

    AHN-ah mah-REE-ah fahn SHOOR-mahn

Works by Anna Maria van Schurman


During her lifetime, Anna Maria van Schurman made numerous self-portraits. She constantly experimented with different techniques, including painting, pastels, etching, engraving, and drypoint. In this image, she combined the techniques of engraving and etching. Van Schurman depicted herself wearing an elegant dress embellished with lace on the bodice and sleeves. She convincingly rendered the illusion of spatial depth by shading...

Three-quarter self-portrait print set in an oval with inscriptions along the perimeter depicts a light-skinned young woman with hair pinned up, wearing an elegant dress with an oversized lace collar and sleeves, gazing directly at the viewer.