At first glance, it might be difficult to identify common threads in works by Ingrid Mwangi, Jami Porter Lara, and Betsabeé Romero. Each artist uses vastly different materials to address...
![](https://nmwa.org/wp-content/uploads/2020/06/2018-09-26_Betsabee-Romero-Install-Shots-36-1024x683-1-aspect-ratio-2.25x1-1.png)
NMWA Director Susan Fisher Sterling answers questions about art, equity, and travel. This is part two of a two-part questionnaire.
![](https://nmwa.org/wp-content/uploads/2021/05/susan-fisher-sterling-image-221-aspect-ratio-2.25-1-1-700x330.jpg)
NMWA Director Susan Fisher Sterling answers questions about art, equity, and travel. This is part two of a two-part questionnaire.
![](https://nmwa.org/wp-content/uploads/2021/05/susan-fisher-sterling-image-221-aspect-ratio-2.25-1-1-700x330.jpg)
Learn more about how Amy Sherald inspires others and her two works in the NMWA collection, They call me Redbone but I’d rather be Strawberry Shortcake (2009) and It Made...
![Amy Sherald speaks to a crowd in a gallery beside her striking portraits depicting individuals with gray skintones against vibrant, solid-colored backgrounds. She gestures with her hands and has a serious expression on her face.](https://nmwa.org/wp-content/uploads/2020/06/AmySherald-ArtistTalk-_60_-E-aspect-ratio-2.25x1.jpg)
Susan Fisher Sterling announces the museum's new blog that will will feature insiders’ perspectives from NMWA curators, educators, preparators, and other staff.
![In a painted self-portrait, the artist stands in a stage-like space framed by white curtains. Beneath black hair woven with red yarn and flowers, heavy brows accent her dark-eyed gaze. Clad in a fringed, honey-toned shawl; long, pink skirt; and gold jewelry, she holds a bouquet and a handwritten letter.](https://nmwa.org/wp-content/uploads/2020/06/1988.24_Art-Camera_nmwa_edited-aspect-ratio-2.25x1.png)