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Two women standing and smiling in front of a framed painting in a gallery. One has curly gray hair, wearing a patterned skirt; the other has straight brown hair, wearing a sleeveless top.
National Museum of Women in the Arts

Meret Oppenheim’s “Table with Bird’s Feet”

Blog Category:  NMWA Exhibitions
Surrealist sculpture and functional occasional table is shown from above at a high angle; the work features realistic cast bronze crane legs holding a round wooden, gold-plated tabletop.

On view at NMWA in 2014 in Meret Oppenheim: Tender Friendships, Table with Bird’s Feet is a Surrealist sculpture that blends an everyday object with the fantastical. It was first exhibited in an exhibition of avant-garde furniture in Paris in 1939, organized by Réne Drouin and Leo Castelli. In this work, Oppenheim transformed a prosaic utility object, a table, into a fantasy, supported by the bronze feet of a bird, and marked with imprints of birds’ feet on its oval surface. Under the artist’s supervision, the table was manufactured in a limited edition of thirty copies in 1973.

Table with Bird’s Feet, 1983; Top: wood, carved and goldplated; feet: bronze, 25 1/2 x 27 1/2 x 19 3/4 in.; On loan from Daphne Farago Collection, Delray Beach, Florida; Photograph by Suzanne Khalil; Image courtesy of Lisa Wenger and Martin A. Bühler, Meret Oppenheim Estate
Table with Bird’s Feet, 1983; Top: wood, carved and goldplated; feet: bronze, 25 1/2 x 27 1/2 x 19 3/4 in.; On loan from Daphne Farago Collection, Delray Beach, Florida; Photograph by Suzanne Khalil; Image courtesy of Lisa Wenger and Martin A. Bühler, Meret Oppenheim Estate

The table represents Oppenheim’s fascination with the natural world—these feet could belong to a heron, flamingo, or any other long-legged bird she might have encountered or sketched on one of her frequent walks.

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