Doris Lee (1905–1983): Form and Color, D. Wigmore Fine Arts, Inc., New York City, 2004; Doris Lee: 1905–1983, Woodstock Artists Association, Woodstock, New York, 1984
Doris Lee: American Painter and Illustrator, 2014–15
Preserving the Past, Securing the Future: Donations of Art, 1987–1997, 1997–98
Four Centuries of Women’s Art: The National Museum of Women in the Arts, 1990–91
Women Artists of the New Deal Era: A Selection of Prints and Drawings, 1988–89
American Women Artists: 1830–1930, 1987
About the Artist
Throughout her career, Doris Lee sought to portray everyday, contemporary American life in a style that that was easily understandable to viewers.
Born Doris Elizabeth Emrick in Aledo, Illinois, in 1905, Lee graduated in 1927 from Rockford College, where she majored in art and philosophy. Upon graduation, she married Russell Werner Lee, an engineer who later became a noted photographer with the Farm Security Administration.
During their honeymoon year abroad in Italy and France, Lee studied painting. Following the couple’s return to the U.S., she continued her studies; while in San Francisco, Lee trained under Arnold Blanch, who would become her second husband after her 1939 divorce. As Lee’s career developed in the 1930s, she worked in a New York studio on East 14th Street and spent time in Woodstock, New York, where she soon settled.
She garnered attention in 1935 when her painting Thanksgiving won the prestigious Logan Prize at the Art Institute of Chicago. Soon after, she received a commission to paint two murals for the General Post Office in Washington, D.C. (Now the Ariel Rios Federal Building.) During the late 1940s and 1950s, she traveled to North Africa, Cuba, and Mexico to fulfill article and illustration commissions from Life magazine.
Her paintings of rural America were included in prestigious exhibitions and acquired for museum collections. NMWA’s archive houses The Doris Lee Collection, which comprises sketchbooks, correspondence, photographs, and clippings.