Jennie Augusta Brownscombe

Jennie Augusta Brownscombe


Artist Details

Birth Place
Honesdale, Pennsylvania
Death Place
Bayside, New York
Phonetic Spelling
JEHN-ee ah-GUHS-tah (BR-OW-NZ)-kohm
Drawings and prints; Painting
Places of Residence
New York City; Rome
National Academy of Design, New York City, 1878–81, 1872–75; The Art Students League of New York, New York City, 1875–78; School of Design for Women, The Cooper Union for the Advancement of Science and Art, New York City, 1871–72
Retrospective Exhibitions

Jennie Brownscombe 1850–1936: A Woman and Her Art, The Wayne County Historical Society, Honesdale, Pennsylvania, 1996

NMWA Exhibitions

Four Centuries of Womens Art: The National Museum of Women in the Arts, 1990–91
American Women Artists: 1830-1930, 1987

About the Artist

Jennie Augusta Brownscombe’s sentimental oil paintings celebrating rural family life and events from American history appealed to popular Victorian tastes in England and the United States.

The artist was born in a log cabin in rural northeastern Pennsylvania to William Brownscombe, an English-born farmer, and Elvira Kennedy, a direct descendant of a Mayflower passenger. Thus, Brownscombe’s early life was reminiscent of one of her own paintings. When her father died in 1868, Brownscombe began supporting herself through teaching and creating book and magazine illustrations.

Brownscombe also sold the rights to reproduce her watercolor and oil paintings as inexpensive prints, Christmas cards, and calendars. She distributed more than 100 artworks this way, spreading her images into homes nationally. Viewers loved her highly naturalistic style, which included picturesque details that helped them recognize the stories and emotions portrayed.

A prize-winning student at the Cooper Institute School of Design for Women and the National Academy of Design, Brownscombe became a founding member of the Art Students League and later served as faculty. In the 1880s and 1890s, Brownscombe studied art in France, spent winters in Rome, and exhibited in London, New York, Chicago, and Philadelphia. She completed her final large oil painting at age 81 after recovering from a stroke.

National Museum of Women in the Arts