Art Fix Friday: June 16, 2017

This year’s edition of Art Basel, Switzerland, opened on Thursday, June 15.

Art Basel features work by the Guerrilla Girls (left) and Claudia Comte (right)

Art Basel features work by the Guerrilla Girls (left) and Claudia Comte (right)

The art fair showcases posters by the Guerrilla Girls, a video installation by Cécile B. Evans with a Brutalist viewing booth, film programming by Maxa Zoller, and a “fun fair” installation by Claudia Comte, who says, “we are all taking ourselves too seriously.”

Front-Page Femmes

The National Museum of Women in the Arts made the news this week with a $9 million bequest from benefactor Madeleine Rast.

The film Wonder Woman smashed records, becoming the biggest-ever domestic opening for a woman director ever.

Pulitzer Prize-winning poet Tracy K. Smith was named the poet laureate of the United States by Librarian of Congress Carla Hayden.

Indian artist Astha Butail has been selected as the next BMW Art Journey winner with her project In the Absence of Writing.

Ramsay art prize winner Sarah Contos “boldly claims space on the gallery wall for female Australian artists.”

After nearly 300 years, Royal Collection Trust’s conservators discovered a lucky token hidden by Venetian artist Rosalba Carriera in the frame of one of her pastel works.

Cornelia Parker discusses her role as the first woman and conceptual artist to be chosen for the role of U.K.’s official election artist.

Coco Picard’s The Chronicles of Fortune is a story about learning how to grapple with the role of death in life.

Art collector and patron Agnes Gund sells Roy Lichtenstein’s Masterpiece for $150 million to create a fund “that supports criminal justice reform and seeks to reduce mass incarceration in the United States.”

AIGA presents 5 powerful projects designed by and for women to address the cultural stigma behind abortion.

Jenny Holzer’s new works “put unexpected things into unlikely places” to address tensions and inequality in contemporary society.

Merrill Wagner uses tape and Plexiglas to craft “measured, stark, ravishing” work.

Two-time Turner Prize nominee and Royal Academy member Alison Wilding discusses her most recent exhibition.

An Atlantic review of Anne Helen Petersen’s new book Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman explores contemporary culture, which “claims to celebrate women but often, politically and culturally, puts them in a bind.”

Susan Silton stages an all-woman production of Olivier Messiaen’s “Quartet for the End of Time.”

Yoko Ono—after 46 years—is credited as co-writer of the song “Imagine.”

Shows We Want to See

Writer Zadie Smith profiles British-Ghanaian artist Yiadom-Boakye in honor of her recent exhibition at New York’s New Museum, Under-Song for a Cipher.

Lenka Clayton is “highly attuned to the rhythms of everyday life” in the exhibition Object Temporarily Removed at the Fabric Workshop and Museum, Philadelphia.

Araya Rasdjarmrearnsook’s Jaonua: The Nothingness, a five-channel video installation, is on view through July 28 at Tyler Rollins Fine Art, New York City.

Tate Modern prepares to exhibit work by the trailblazing Turkish artist Fahrelnissa Zeid.

A new survey of paintings by Lisa Yuskavage is on view at David Zwirner gallery, London.

—Emily Haight is the digital editorial assistant and Elizabeth Lynch is the editor at the National Museum of Women in the Arts.

Superwomen Assemble: Meet the Women Saving Comics

“Images play a crucial role in defining and controlling the political and social power to which individuals and marginalized groups have access,” stated filmmaker Pratibha Parmar. “The deeply ideological nature of imagery determines not only how other people think about us but how we think about ourselves.”

Ashley A Woods’s artwork for NIOBE: She is Life

Ashley A. Woods’s artwork for NIOBE: She is Life

FRESH TALK: Who are the new superwomen of the universe? on June 14 will show how comics, in particular, can highlight what a society values through the heroes they revere. The imagery surrounding heroes often reveals ingrained notions and perceptions of people. In the comics landscape, hulking, white male characters are often the ideals—if not the standards—for heroism. Often the imagery surrounding women, people of color, and other marginalized groups skews towards abusive imaginings or stereotypes. Recently, however, more people within the comics community are making strides to subvert that trend.

Meet the women changing the universe of comics at the final Fresh Talk program of the Women, Arts, and Social Change 2016–17 season. Guest speakers include ComicMix.com columnist Emily S. Whitten as the moderator and Carolyn Cocca, author of Superwomen: Gender, Power, and Representation. Young Adult author Gabby Rivera will discuss her role writing for the queer Latina superheroine of the Marvel universe, America Chavez. Fresh Talk also features Ariell Johnson, the first black woman to open a comic book shop on the East Coast. “There are a lot of black girl geeks in the world but we are not at the forefront,” noted Johnson. “This store is also kind of a statement—we’re here, we’ve been here and we’re going to keep being here.”

Ashley A Woods’s artwork for NIOBE: She is Life

Ashley A. Woods’s artwork for NIOBE: She is Life

Illustrator Ashley A. Woods will share her experiences drawing for the series NIOBE: She is Life, the first internationally distributed comic with a black woman author, artist, and central character. Woods imbues renderings of Niobe, the title character of the series, with an earthly quality that enhances her supernatural features, while not obscuring her humanity. The series, charting the adventures of the fantastical half-elf, half human warrior, explores issues ranging from racism to religion. Woods’s artwork for the series provides long overdue proof that black women in fantasy comics are not out of place. If anything, they are powerful voices that need to be heard.

Save your spot for Fresh Talk on June 14 to meet the new wave of superheroines entering the comic universe, leading the fight for justice and dispelling traditional stereotypes. Follow the conversation through #FreshTalk4Change.

—Kimberly Colbert is a summer 2017 intern in the Betty Boyd Dettre Library and Research Center at the National Museum of Women in the Arts.

#5WomenArtists Goes Global

In honor of Women’s History Month, the museum launched the second year of its award-winning #5WomenArtists social media campaign, which asks, “Can you name five women artists?” The museum invited cultural organizations and individuals to share stories about women artists on social media throughout the month. The campaign inspired a discussion about gender imbalance in the art world in the U.S. and internationally—to great success! Check out a few highlights of the campaign:

One staff member dressed as Frida Kahlo brought the challenge to Washington, D.C. streets.

Overall, the month was filled with consciousness-raising digital initiatives. Forty-four participants edited 83 Wikipedia articles about women artists in the fifth annual Wikipedia edit-a-thon hosted at the museum. Part of the Art+Feminism initiative, edit-a-thon participants used the museum’s resources to improve entries about women artists. NMWA offered a daily scavenger hunt in the museum and hosted a before-hours InstaMeet for local photographers to explore and snap photos of the museum’s newly reinstalled collection galleries. NMWA staff shared their favorite works by women for International Women’s Day.

The museum also “took over” other institutions’ social media accounts to share the stories of women artists with a broader digital community, including sharing nature-themed works from @BalboaPark’s Instagram, collection highlights from the Brightest Young Things accounts, and the museum’s mission and history from the @52museums handle. NMWA’s collection works also anchored the all-women #ArtMadness “bracket,” the Albright-Knox Gallery’s NCAA March Madness-themed competition.

#5womenartists posts on Instagram

#5womenartists posts on Instagram

Many organizations included #5WomenArtists in their own Women’s History Month programming. The Halsey Institute of Contemporary Art invited five women artists to speak about their experiences and the Royal British Columbia Museum hosted a museum happy hour event highlighting contemporary First Nations artists. Manor View Elementary School even created a bulletin board dedicated to the campaign. Individual participants reflected on the campaign, including one tweet stating, “#5WomenArtists has been one of the more influential hashtags for me. I knew at least five when I first saw it, but can name many more now!” Another Twitter user said, “The #5WomenArtists challenge is one of my favorite times of the #MuseSocial year! Thanks, @WomenInTheArts.” The challenge also inspired other hashtags, including #5WomenScientists and #5ArtistasMujeres.

Explore campaign highlights on the museum’s Women’s History Month web page. Continue to advocate on behalf of women artists and celebrate their accomplishments all year. Every month is Women’s History Month at the museum!

—Emily Haight is the digital editorial assistant at the National Museum of Women in the Arts.

Down to a Science: #5WomenArtists Spark #5WomenScientists

For Women’s History Month, NMWA posed the question, “Can you name five women artists?” While social media users shared stories of women artists with #5WomenArtists, other science museums and cultural institutions expanded the challenge by posting content about #5WomenScientists.

Maria Merian, Plate 9 (from "Dissertation in Insect Generations and Metamorphosis in Surinam", second edition), 1719; Hand-colored engraving on paper, 20 1/4 x 14 1/2 in.; National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay

Maria Merian, Plate 9 (from “Dissertation in Insect Generations and Metamorphosis in Surinam,” second edition), 1719; Hand-colored engraving on paper, 20 1/4 x 14 1/2 in.; National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay

Art and science are two fields which seamlessly overlap. Both encourage close observation, experimentation, and innovation. Women are often overlooked and underrepresented in both fields. NMWA features a collection of works by women artist-scientists.

Because of their purported keen powers of observation, women artists historically were encouraged to render the natural world. After studying dried specimens of plants and animals that were popular with European collectors, botanical illustrator Maria Sibylla Merian (1647–1717) decided to study them in their natural habitats. At the age of 52, Merian and her younger daughter embarked on a dangerous trip, without a male chaperone, to the Dutch colony of Surinam in South America. She spent two years studying indigenous flora and fauna. Her book, the lavishly illustrated Insects of Surinam, was published in 1705 and established Merian’s international reputation.

As tools for observation became more advanced, photography emerged as a new medium to explore, record, and interpret nature. Molecular biologist-turned-photographer Amy Lamb (b. 1944) continues the tradition of women artist-scientists by producing large-scale “portraits” of plants. For Lamb, observation is a vital part of her creative process. She grows most of the plants that she photographs, which allows her to become intimately familiar with their life cycles. Studying plant maturation repeatedly helps her anticipate when to have the camera ready.

Amy Lamb, “Magnolia,” 1998, Iris print, 13 1/4 in x 20 1/8 in; National Museum of Women in the Arts, Gift of Steven Scott, Baltimore, Maryland, in honor of the artist, ©1998 Amy Lamb, all rights reserved

Amy Lamb, Magnolia, 1998, Iris print, 13 1/4 in x 20 1/8 in; National Museum of Women in the Arts, Gift of Steven Scott, Baltimore, Maryland, in honor of the artist, ©1998 Amy Lamb, all rights reserved

The influence of science is a common thread in NMWA’s collection. Floral still-life paintings by Rachel Ruysch (1664–1750), cliché-verre prints by Maggie Foskett (1919–2014), and etchings by Monika E. de Vries Gohlke (b. 1940) engage with science and nature. Angela Strassheim (b. 1969), trained in forensic photography, lends a scientific eye to her oeuvre, while Michal Rovner (b. 1957) simulates the feeling of a laboratory through a video work involving petri dishes.

Continue exploring the stories of women artist-scientists. Browse a selection of #5WomenScientists posts from institutions ranging from the Field Museum, to the Biodiversity Heritage Library, the Franklin Institute, and the Science Museum, London.

—Madeline Barnes is the winter/spring 2017 digital engagement intern at the National Museum of Women in the Arts.

Challenge Accepted: Can You Name Five Women Artists?

Ask someone to name five artists and responses will likely include names such as Warhol, Picasso, van Gogh, Monet, da Vinci—all male artists. Ask someone to name five women artists, and the question poses more of a challenge.

Back by popular demand this March, the National Museum of Women in the Arts continues to ask, “Can you name five women artists?” This simple question calls attention to the inequity women artists face, inspires conversation, and brings awareness to a larger audience. Last year, the campaign struck a chord, and tens of thousands of posts were shared on social media. This year, more than 200 institutions from 50 states, 22 countries, and seven continents have already signed on to participate.

Join us throughout the month to share stories of women artists using the hashtag #5WomenArtists on Facebook, Twitter, and Instagram.

Here are some ideas to get you started:

  1. Challenge your family and friends.
  2. Share posts about your favorite women artists.
  3. Share a work by a woman artist at a museum or gallery near you.
  4. Explore NMWA’s artist profiles to discover artists you may not know.
  5. Get the facts about art world inequality and track campaign updates all month long.

To kick off the month, learn more about five influential women artists from the museum’s collection who defied expectations:

Left to right: Lavinia Fontana, Portrait of a Noblewoman (ca. 1580) and Maria Martinez and Julian Martinez, Jar (ca. 1939); NMWA; Gift of Wallace and Wilhelmina Holladay

Left to right: Lavinia Fontana, Portrait of a Noblewoman, ca. 1580 and Maria Martinez and Julian Martinez, Jar, ca. 1939; NMWA; Gift of Wallace and Wilhelmina Holladay

Renaissance painter Lavinia Fontana (1552–1614) is regarded as the first professional woman artist. For 20 years beginning in the 1580s, Fontana was the portraitist of choice among Bolognese noblewomen. Not only was Fontana the breadwinner of her family, she also gave birth to 11 children.

For more than eight decades, Maria Martinez (1887–1980) revived and continued the centuries-old black-on-black pottery traditions of San Ildefonso Pueblo in northern New Mexico. Through her creative vision and skill, Martinez influenced generations of artists.

Left to right: Clementine Hunter, Untitled, 1981; NMWA, Gift of Evelyn M. Shambaugh; Lola Álvarez Bravo, De generación en generación, ca. 1950; NMWA, Gift of the Artist; © 1995 University of Arizona Foundation, Center for Creative Photography

Entirely self-taught and immensely prolific, Clementine Hunter (ca. 1887–1988) earned critical acclaim for vibrant paintings depicting life in the Cane River region of central Louisiana. Hunter did not start painting until the 1940s, when she was already a grandmother.

Lola Álvarez Bravo (1907–1993) was one of Mexico’s first professional women photographers, documenting daily life and portraying prominent world leaders. Like her friend Frida Kahlo, Álvarez Bravo celebrated the traditional costumes and customs of her country’s varied regions. She cannily blended nationalist content with the expression of universal human emotions.

Lee Krasner, The Springs, 1964; NMWA, Gift of Wallace and Wilhelmina Holladay; © 2012 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

Lee Krasner (1908–1984) was one of the first generation of Abstract Expressionist painters. Through six decades devoted to art, she explored innovative approaches to painting and collage. Often overshadowed by her husband, Krasner declared, “I’m always going to be Mrs. Jackson Pollock . . . but I painted before Pollock, during Pollock, after Pollock.”

Want to help advocate for women in the arts? Starting March 1, take the challenge and post about #5WomenArtists on Instagram, Twitter, and Facebook, and tag us @WomenInTheArts.

Emily Haight is the digital editorial assistant at the National Museum of Women in the Arts.

March Madness: A Digital Dive into Women’s History Month

NMWA’s year-round mission is to address gender imbalance in the art world, but every March—Women’s History Month—the museum has an opportunity to catch the attention of a wider audience to celebrate women artists. This March, NMWA launched a social media campaign to raise awareness of women artists by asking, “Can you name five women artists?”

Narrow 5WomenArtists for press release

NMWA’s social media campaign for Women’s History Month

A huge community joined in!

  • Art museums, libraries, galleries, and art lovers from 20 countries answered by sharing and tagging their favorite women artists.
  • News outlets like the Huffington Post and the Atlantic helped spread the challenge.
  • More than 370 cultural organizations and 11,000 individuals joined the campaign to promote women artists.
  • More than 3,300 Instagram posts and more than 23,000 tweets used the hashtag #5womenartists.

During the campaign, NMWA’s number of digital followers increased by 140% on Instagram, 19% on Facebook, and 12% on Twitter. At least 60 individuals and cultural institutions wrote personal blog posts about the challenge, in English as well as Spanish, Italian, Turkish, and Estonian. NMWA’s blog post launching the campaign was read almost 2,000 times.

“We are delighted with the overwhelming response to the #5womenartists campaign,” said NMWA Director Susan Fisher Sterling. “By calling attention to the inequity women artists face today, the Women’s Museum is gratified to have inspired even more conversation and awareness than we anticipated. We thank all of the cultural organizations and social media users who joined us in this important initiative.”

Overall, March was filled with exciting digital endeavors to bolster the visibility of women artists. Thirty-five participants attended NMWA’s fourth annual Wikipedia-edit-a-thon, part of the Art + Feminism initiative to improve Wikipedia’s gender imbalance. Using the museum’s resources, contributors improved 20 existing articles and created new entries for Hungarian-born Mexican photographer Kati Horna, silversmith and jewelry designer Alma Eikerman, and drafted information for the Association of San Francisco Women Artists.

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An #EmptyNMWA instameet participant snaps a photo of a painting by Elizabeth Adela Stanhope Forbes

For International Women’s Day on March 8, NMWA captured tweets and posts from people around the world celebrating #5womenartists. The museum also hosted a before-hours instameet for a group of 30 local photographers to tour, snap photos, and explore the museum’s galleries.

For each week of 2016, a different museum across the globe takes over the @52museums Instagram account. March 21–27, @womeninthearts brought stories about the museum and women artists to a broader digital public. To finish the month, the museum also participated in #MuseumWeek, the first worldwide cultural event on Twitter, and shared the building’s history, collection, exhibitions, and advocacy programs.

During the last week, nearly 5,000 people viewed the museum’s BuzzFeed quiz, which asked, “Which of these #5womenartists are you?” So, can you name #5womenartists? In a Twitter poll, 83% of NMWA followers said yes! Next year, we’re aiming for 100%.

Want to continue to advocate for women in the arts? Follow the museum on Twitter, Facebook, and Instagram. Visit the museum, become a member, and get involved in upcoming programs.

—Emily Haight is the digital editorial assistant at the National Museum of Women in the Arts.

Art Fix Friday: March 11, 2016

Can you name five women artists?

#5WomenArtists is trending! In honor of Women’s History Month, NMWA started a social media campaign to raise awareness of women artists. Everyone’s chiming in, from press coverage by the Huffington Post and the Atlantic to Instagram and Twitter posts by art museums, libraries, and galleries around the world. Join in!

Front-Page Femmes

Painter Tamuna Sirbiladze died at age 45.

Monique Mouton’s work is “both unexpected and grounded” at Bridget Donahue.

The winner of the National Portrait Gallery’s 2016 Outwin Boochever Portrait Competition is Baltimore artist Amy Sherald.

Blouin Artinfo interviews curator Ringo Bunoan on Art Dubai’s Marker program and Art Dubai fair director Antonia Carver on the art scene in the Middle East. Curator Zelda Cheatle weighs in on the Dubai Photo Exhibition.

Charline von Heyl shares her 100 favorite paintings.

Helen Muspratt’s celebrated portraiture of the 1930s used experimental techniques and documented her times.

“Secrecy is a form of power,” writes Morgan Jerkins in the New Yorker, discussing black women and their diaries in Helen Oyeyemi’s new short-story collection, What Is Yours Is Not Yours.

On March 6, the Atlantic noted poet Elizabeth Barrett Browning’s 210th birthday.

Hyperallergic writes about the range of work—“a showcase of radical, DIY intersectionality”—at the fourth annual NYC Feminist Zine Fest.

The Washington Ballet company’s new director is renowned ballerina Julie Kent.

The LA Times reports, “Eclipsed, by the U.S.-born, Zimbabwean-raised Danai Gurira, represents the first time a Broadway play has been written and directed by and cast entirely with women. That these are black women makes this milestone only that much more remarkable.” Gurira’s Familiar is covered in the New Yorker.

Hyperallergic revisits The Watermelon Woman, a groundbreaking black lesbian film from 1996.

Anita Sarkeesian is creating a video series about overlooked women in history to be released on YouTube in September.

A new symphony by Tonia Ko, “Strange Sounds and Explosions Worldwide” premiered at Carnegie Hall.

Shows We Want to See

Yayoi Kusama’s Footprints of Life, a 15-piece sculptural installation, is on view in Honolulu.

The Guardian covers an exhibition of work by Hilma af Klint that makes “a fortuitous conjunction . . . an unmissable delight” alongside art by Das Institut at the Serpentine Gallery.

Artist Alice Instone’s exhibition The Pram in the Hall reveals the to-do lists of women artists and celebrities.

—Elizabeth Lynch is the editor at the National Museum of Women in the Arts.

Women’s History Month: Can You Name #5womenartists?

Did you know that even though women make up 51% of visual artists today, in the U.S. only 5% of work on museum walls is by women? It is no surprise that if you ask someone to name five artists, they will likely list prominent male artists.

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Share social media posts with #5womenartists; Photo: Laura Hoffman, NMWA

This March, for Women’s History Month, NMWA leads a social media campaign to help everyone answer the question, Can you name five women artists? Join the museum and other institutions, including the National Gallery of Art, Brooklyn Museum of Art, and Guggenheim Bilbao, to share stories of women artists using the hashtag #5womenartists on Twitter and Instagram. Find out more about the initiative in this artnet article.

Are you interested in participating? Here are some ideas to get you started:

  1. Challenge your friends and family to name five women artists.
  2. Tell us who your favorite women artists are and why.
  3. Share a work by a woman artist at a museum or gallery near you.
  4. Explore NMWA’s artist profiles to discover artists you may not know.
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Left to right: Artwork by Alma Thomas, Rosalba Carriera, Maria Sibylla Merian, Hester Bateman, and Frida Kahlo; Photos: NMWA

To kick off the month, learn more about five women artists from the museum’s collection who broke barriers and influenced future generations:

In 1921, Alma Woodsey Thomas (1891–1978) was the first fine arts student to graduate from Howard University in Washington, D.C. During her 35-year career as a teacher at a D.C. junior high school, she was devoted to her students and organized art clubs, lectures, and student exhibitions.

Rosalba Carriera (1675–1757), a member of the Royal Academy of Painting and Sculpture, was responsible for elevating the status of pastel from its use for sketches to a respected medium in its own right. Over the span of its existence, the Academy, which had approximately 450 members in total, only admitted 15 women.

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Visitors examine Petah Coyne’s work; Photo: Laura Hoffman, NMWA

At the age of 52, Maria Sibylla Merian (1647–1717) and her young daughter embarked on a risky trip to the Dutch colony of Suriname in South America. She recorded indigenous flora and fauna and helped 18th-century scientists understand metamorphosis.

Hester Bateman (1709–1794) inherited her husband’s silver workshop after he died. She made the business profitable and her descendants helped the workshop thrive until the mid-19th century. The key to her success was the integration of modern technology with classical design—a cost-effective way to attract middle-class buyers.

Referenced in her New York Times obituary as the “wife of Diego Rivera, the noted painter,” Frida Kahlo (1907–1954) soared in fame posthumously. She became the first 20th-century Mexican artist to have work acquired by the Louvre. In the 1980s, numerous books were published about her work by feminist art historians and others.

Stacy Meteer is the communications and marketing associate at the National Museum of Women in the Arts.

Carrie Mae Weems and the Art of Change

In September, the National Museum of Women in the Arts launched a new public programs initiative, Women, Arts, and Social Change, focusing on women and the arts as catalysts for change. On Sunday, November 15, the museum hosted the second program in the series, FRESH TALK: Carrie Mae Weems—Can an artist inspire social change? The event’s audience provided thought-provoking commentary over Sunday Supper, through Twitter, and via comment cards. Here are a few highlights:

Carrie Mae Weems:  Keynote on an artist’s responsibility:

Weems gave a candid description of her artistic journey, saying that being an artist is “a very difficult thing to do, because you’re constantly living emotionally.”

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Carrie Mae Weems speaks at the second Women, Arts, and Social Change program; Photo: Kevin Allen

Weems’s project Social Studies 101 directly addresses the issues faced by the marginalized community of her hometown of Syracuse, New York. Syracuse has the highest concentration of extreme poverty among African Americans and Hispanics in the country. As part of her project, Weems created and displayed public billboards and lawn signs with messages including, “Stop the Senseless Violence” and “Our failure to respond is the problem!” Weems inspired the audience to think about the impact they can have on their communities.

Can art inspire social change?

Carrie Mae Weems was joined onstage by Raben Group president and founder Robert Raben. Washington Post columnist Lonnae O’Neal moderated the conversation, posing questions about the roles and spaces for art in current social justice movements, concepts of intersectionality, and the relationship between arts and policy.

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Left to right: Lonnae O’Neal, Carrie Mae Weems, and Robert Raben discuss how artists can inspire social change; Photos: Kevin Allen

During the discussion, Raben mentioned that much of what is known about the Civil Rights era is limited to a handful of stories, which have been curated by mainstream audiences. The annual March on Washington Film Festival, produced by the Raben Group, uses film, music, and art to share other relevant stories surrounding the period’s events and heroes—while inspiring a renewed passion for activism. Raben challenged, “If you care about social justice, you must care about changing the narrative.” Tweets about representation, identity, and otherness flooded the #FreshTalk4Change dialogue:

  • @VMPhoto3 quoted Weems [MT] How do you live a life without otherness. Mic drop.
  • @KiaWeatherspoon “Our history is miss-told” @RobertRaben #FreshTalk4Change
  • @eferry “Energized by Carrie Mae Weems on using art for social change #FreshTalk4Change #RBC”

Creating space for change:

Over Sunday Supper, attendees participated in lively discussions on  social justice issues among a diverse crowd. On one comment card, a participant said their experience “changed my opinion of what a museum can be.”

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Sunday Supper attendees discuss social justice with Carrie Mae Weems; Photos: Kevin Allen

Weems prompted the crowd to share their questions about how to integrate art with social change. Many artists in the audience mentioned that they hadn’t considered using art for social justice previously, but hoped to make it a key component in their future art-making practice.

The conversation initiated by Raben, O’Neal, and Weems empowered the audience to take ownership of their own stories as artists and social leaders. The conversation doesn’t stop here. Join the discussion and add your voice on Twitter with #FreshTalk4Change.

—Kayleigh Bryant-Greenwell is the public programs coordinator at the National Museum of Women in the Arts.

Righting the Balance: It Doesn’t Stop Here

NMWA’s latest initiative, Women, Arts, and Social Change, kicked off Sunday, October 18, with FRESH TALK: Righting the Balance. The new public program focuses on women and the arts as catalysts for change through a series of “Fresh Talks.”

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FRESH TALK panelists, Left: Maura Reilly, Sarah Douglas, and Jillian Steinhauer, Right: Guerrilla Girl Alma Thomas, Micol Hebron, Ghada Amer, and Simone Leigh; Photo: Kevin Allen

Women at the top of their art-world careers addressed the topic, “Can there be gender parity in the art world?” Curator and event co-organizer Maura Reilly, who wrote the central essay in the recent ARTnews magazine on women in the art world, introduced the event. Discussions featured Jillian Steinhauer of Hyperallergic, Sarah Douglas of ARTnews, Gabriela Palmieri of Sotheby’s, Mary Sabbatino of Galerie Lelong, artist Ghada Amer, artist Micol Hebron (organizer of Gallery Tally), artist Simone Leigh, Guerrilla Girl Alma Thomas, and activist/storyteller Jamia Wilson.

The goal of FRESH TALK is to keep the conversation going, and it wouldn’t be complete without input from participants, advocates, and women. We asked for your feedback during stimulating conversation over Sunday Supper and via comments. This is what you told us:

1. More women need to be heard.

Although the panel featured women from different backgrounds, talents, and career paths—Guerrilla Girl Alma Thomas was a highlight for many attendees—participants want to hear from more women of color and from the LGBT community. The next two FRESH TALK programs push these communities to the forefront of the discussion.

2. It’s time to get loud!

Artist Micol Hebron—one of the most-quoted speakers of the night—said, “If you don’t see something, say something!” When visitors notice a lack of representation of women, persons of color, and the LGBT community in museums, galleries, or other arts spaces, they should speak up! Collective voices can rally against these injustices.

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FRESH TALK attendees share their thoughts during Sunday Supper and through comment cards; Photo: Kevin Allen

3. Arts inequities are a problem for women of all ages.

A vast intergenerational audience exchanged views over Sunday Supper. Emerging women advocates sat with experienced professionals and passionately shared ideas about advancing the conversation. Intergenerational advocacy can be a strong resource in combating inequality.

4. Nonprofit art centers can make a difference too.

FRESH TALK attendees; Photo: Kevin Allen

FRESH TALK attendees Sheena Marie Morrison and Lauren Lyde; Photo: Kevin Allen

Panelists focused on data concerning gender inequity in the arts—particularly in sales and auction prices of art by women.

Nonprofit and alternative art spaces work as resources contesting the status quo. Many institutions thrive under the leadership of women, especially in D.C. We look forward to hearing more about the challenges that local centers face through an upcoming Cultural Capital series.

5. Now is the time to strike!

Fueled with the knowledge of engaging panelists, the event’s participants were inspired to take action. One commenter wants to host a protest for women artists, while another hopes to encourage her university gallery to collect and display work by women. An educator plans to empower her students to continue to challenge inequity.

It doesn’t stop here. Stay tuned for more FRESH TALK programs and get involved in the fight for gender equity in the arts. Mark your calendars for “Carrie Mae Weems: Can an artist inspire social change?” on November 15 and “Change by Design with Gabriel Maher and Alice Rawsthorn—Can design be genderless?” on January 27, 2016.

—Kayleigh Bryant-Greenwell is the public programs coordinator at the National Museum of Women in the Arts