Nmwa Exhibitions

View of the museum from outside showing the Neoclassical building from one corner. The building is a tan-colored stone with an arched doorway, long vertical windows, and detailed molding around the roof.

Women to Watch 2020: Dolores Furtado

Posted: October 8, 2020
Category: Nmwa Exhibitions
Argentinian artist Dolores Furtado talks about her process and work, which is featured in Paper Routes, the latest installment of NMWA's Women to Watch exhibition series.
A close up color photograph of a light skinned woman who stares unsmiling at the camera. She has chin-length blonde ombre hair, dark eyebrows, and blue-grey eyes. The background of the photo is blurred.

Now Open: Return to Nature

Posted: August 5, 2020
Category: Nmwa Exhibitions
Today, grappling with a period of global quarantine, many people are experiencing an urge to return to the outdoors, seeking comfort and revitalization in nature. Return to Nature, a pop-up...
Close-up photograph shows a trumpet-shaped flower against a dark black background. The flower's striated long neck erupts in a profusion of purple and white petals that dominate the composition.

Iturbide and Kahlo: A Conversation

Posted: May 18, 2020
Category: Nmwa Exhibitions
In one intimate photograph, Graciela Iturbide responds—and pays homage—to Frida Kahlo’s cultural legacy, creating an artistic dialogue between the two women.
A black and white photograph of a worn body brace pinned on a blank concrete wall. The photograph is taken from slightly below and to the left of the brace. Similar to a corset, the brace itself is simultaneously lonely, foreboding, and empty as it hangs.

Graciela Iturbide’s Mexico: Capturing Death

Posted: May 4, 2020
Category: Nmwa Exhibitions
Graciela Iturbide confronts what she calls “Mexico’s death fantasy” as it appears in the street, at festivals, and in the cemetery.
A black-and-white photograph shows the back of a woman as she crests a rocky path above a vast desert landscape beneath an expansive sky. Her traditional, ethnic full skirt, long-sleeved blouse, and long, straight, dark hair contrasts with the modern portable stereo she carries.

Graciela Iturbide and La Matanza: Ritual as Practice and Subject

Posted: April 20, 2020
Category: Nmwa Exhibitions
Photography and its ritualistic qualities—observation, development, and selection—is a form of therapy for Graciela Iturbide. More than simply documenting moments in time, the practice offers her a way to process...
A black-and-white photograph shows the back of a woman as she crests a rocky path above a vast desert landscape beneath an expansive sky. Her traditional, ethnic full skirt, long-sleeved blouse, and long, straight, dark hair contrasts with the modern portable stereo she carries.

Beyond Documentation: Graciela Iturbide and the Seri

Posted: April 6, 2020
Category: Nmwa Exhibitions
In 1979, with anthropologist Luis Barjau, Graciela Iturbide stayed with the Seri community for more than two months, recording their lives with her camera—particularly their forced adaptation to modern life,...
A black-and-white photograph shows the back of a woman as she crests a rocky path above a vast desert landscape beneath an expansive sky. Her traditional, ethnic full skirt, long-sleeved blouse, and long, straight, dark hair contrasts with the modern portable stereo she carries.

Portraying Gender in Graciela Iturbide’s Mexico

Posted: March 23, 2020
Category: Nmwa Exhibitions
In 1979, Graciela Iturbide traveled to Juchitán, a small town in the Mexican state of Oaxaca, to photograph the Zapotec indigenous group. She immersed herself in the community during a...
A black-and-white photograph shows the back of a woman as she crests a rocky path above a vast desert landscape beneath an expansive sky. Her traditional, ethnic full skirt, long-sleeved blouse, and long, straight, dark hair contrasts with the modern portable stereo she carries.

Cultural Symbols in Graciela Iturbide’s Mexico

Posted: March 9, 2020
Category: Nmwa Exhibitions
The photographs of Graciela Iturbide feature social, religious, and natural symbols that define Mexican cultural and national identities in all of their complexity.
A black-and-white photograph shows the back of a woman as she crests a rocky path above a vast desert landscape beneath an expansive sky. Her traditional, ethnic full skirt, long-sleeved blouse, and long, straight, dark hair contrasts with the modern portable stereo she carries.

Opening This Week: Graciela Iturbide’s Mexico

Posted: February 24, 2020
Category: Nmwa Exhibitions
Graciela Iturbide’s Mexico is the artist’s most extensive U.S. exhibition in more than two decades. The survey is organized by the Museum of Fine Arts, Boston, and comprises 140 poetic...
A black-and-white photograph shows the back of a woman as she crests a rocky path above a vast desert landscape beneath an expansive sky. Her traditional, ethnic full skirt, long-sleeved blouse, and long, straight, dark hair contrasts with the modern portable stereo she carries.
Maria Verónica San Martín's work functions as a tactile form of resistance—it critically examines power structures and the sanitization of historical atrocities.