Barbara Morgan

Barbara Morgan

1900–1992

Artist Details

Birth Place
Buffalo, Kansas
Death Place
North Tarrytown, New York
Phonetic Spelling
bahr-bruh mawr-guhn
Medium
Photography; Design; Printmaking
Style
Modern
Places of Residence
Los Angeles; New York City; Scarsdale, New York
Training
University of California, Los Angeles, 1919–23
Retrospective Exhibitions

Barbara Morgan: A Retrospective, James Danziger Gallery, New York City, 2000; Barbara Morgan: Prints, Drawings, Watercolors & Photographs, Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, 1988; Barbara Morgan Retrospective, Arizona State University, Tempe, Arizona and University of California, Berkeley, 1962

NMWA Exhibitions

Eye Wonder: Photography from the Bank of America Collection, 2011
From the Collection: Portraits of Women by Women, 2006
Defining Eye: Women Photographers of the 20th Century, 1999–2000
A History of Women Photographers, 1997

About the Artist

Barbara Morgan’s 50-year career began with her stunning photographs of America’s modern-dance pioneers. Since dance is, by definition, motion, it is a formidable subject for the photographer’s lens but one at which Morgan excelled.

Raised in southern California, Morgan studied painting and printmaking at the University of California, Los Angeles, where she later taught design, woodcut, and painting for five years. In 1925, she married Willard Morgan, a photographer, writer, and editor, with whom she had two sons. After moving to New York City in 1930, she began to pursue photography over her other artistic practices, exploring the medium and experimenting with different lighting and printing techniques.

Attending a performance by the fledgling Martha Graham Company, Morgan decided to create a book of photographs of Graham’s troupe. Published in 1941, Martha Graham: Sixteen Dances in Photographs was a landmark in both Morgan’s and Graham’s careers. The photographs impart an instant of action—these moments in time are transformed into timeless gestures that also convey emotional truths.

In addition to their extraordinary power and beauty, her photographs were educational. Displayed in traveling exhibitions, the images introduced people across the U.S. and abroad to modern dance, then a relatively unknown art form. Many of Morgan’s photographs are considered the defining images of dancers, including Martha Graham, Merce Cunningham, and Erick Hawkins.

At her home in Scarsdale, New York, where she moved in 1941 and lived out her life, Morgan continued taking photographs of dancers, children, and other subjects. She experimented with pictures of light sources in motion, published several more books, and received numerous grants and honors.

National Museum of Women in the Arts