Lilla Cabot Perry

Lilla Cabot Perry

1848–1933

Artist Details

Birth Place
Boston
Death Place
Hancock, New Hampshire
Phonetic Spelling
(L-EYE)-lah KAB-iht PAIR-ee
Medium
Drawings and prints; Painting
Style
Impressionism; Other
Places of Residence
Paris; Tokyo
Training
Académie Julian, Paris, 1888–89, Académie Colarossi, Paris, 1887, Cowles Art School, Boston, 1885–86
Retrospective Exhibitions

Lilla Cabot Perry: Paintings, Boston Athenaeum, 1982Lilla Cabot Perry: A Retrospective Exhibition, Hirschl and Adler Galleries, New York, 1969; Memorial exhibition, Guild of Boston Artists, Boston, 1934

NMWA Exhibitions

Preserving the Past, Securing the Future: Donations of Art, 1987–1997, 1997–98
Lilla Cabot Perry: An American Impressionist, 1990–91
American Women Artists: 1830–1930, 1987

About the Artist

Although she had no formal art training until age 36, Lilla Cabot Perry became a professional painter and a devotee of French Impressionism with a formidable body of work. 

Perry developed a solid reputation during her lifetime as a painter and a poet, helping to promote Impressionism in the U.S. and Japan.

After marrying, Perry and her family traveled widely, living in Paris from 1887 to 1889, where Lilla studied painting. She also trained in Munich and copied old-master paintings in Italy, England, and Spain. It was in 1889, when she was 41 years old, that Perry saw her first Impressionist painting (a work by Claude Monet). Perry sought out the artist and became his close friend. For nine summers the Perrys rented a house at Giverny, near Monet’s, and although he never took pupils, he often advised Perry on her art.

Between 1898 and 1901, the family resided in Japan. This experience gave Perry a rare opportunity to study the sources of Impressionism—notably Japanese fabrics and prints—in depth. There, she produced some 80 paintings; she continued to be prolific throughout her life.

Perry exhibited her work at the Paris Salon and the World’s Columbian Exposition in Chicago in 1893, and won medals for her paintings at important exhibitions in Boston, St. Louis, and San Francisco. She was active in numerous arts organizations and published four well-received volumes of verse.

National Museum of Women in the Arts