Urgent Museum Notice

Louise Dahl-Wolfe

Black-and-white photo of a light-skinned adult woman leaning out from behind a large studio camera. Wearing glasses, a white turban and a stripped top, she smiles with an expression of humor. A large spotlight sits behind her and she holds a piece of large format film.

Photo courtesy of the Louise Dahl-Wolfe Archive, © Center for Creative Photography, Arizona Board of Regents, 1989


After studying painting, figure drawing, and design at the San Francisco Institute of Art, Dahl-Wolfe began experimenting with photography in 1921, inspired by Anne Brigman’s photographs. In 1928, Dahl-Wolfe married American sculptor Meyer (Mike) Wolfe and soon established herself as a professional photographer.

The couple moved to New York City in 1933, where Dahl-Wolfe worked as a freelance photographer before accepting a position at Harper’s Bazaar in 1936. At the magazine, she enjoyed considerable creative freedom as part of a formidable creative team including fashion editor Diana Vreeland.

Dahl-Wolfe often juxtaposed her models with famous works of art, resulting in surprising and irreverent compositions. Fashion assignments led her to locations around the world, where she posed her models outdoors, in natural light. Throughout this period, Dahl-Wolfe also created striking portrait photographs of society figures and art world celebrities, including authors Carson McCullers and Colette, designer Christian Dior, and sculptor Isamu Noguchi.

Following her departure from Harper’s Bazaar in 1958 until her retirement in 1960, Dahl-Wolfe did freelance work for publications including Vogue and Sports Illustrated. Dahl-Wolfe’s photographs are often cited as an influence on later photographers, notably Richard Avedon and Irving Penn.

Artist Details

  • Name

    Louise Dahl-Wolfe
  • Birth

    Alameda, California, 1895
  • Death

    Allendale, New Jersey, 1989
  • Phonetic Spelling

    loo-EEZ dahl-woolf

Works by Louise Dahl-Wolfe

Model in Dior Suit Walking Poodles in Paris

Model in Dior Suit Walking Poodles in Paris illustrates the formal precision and irreverent sense of humor for which photographer Louise Dahl-Wolfe was known. Positioned mid-stride on a rain-soaked plaza, a model visually echoes the elongated, triangular form of the Eiffel Tower in the distance. Even the poodles’ positions and the angles of their leashes mimic the tower’s iconic structure....

A black-and-white photograph shows a light-skinned, dark-haired woman in a rain-slick plaza with the Eiffel Tower in the distance. Posed in profile, she wears a skirt suit, hat, heels, and gloves. Her left hand holds the leads of two black poodles and her right a furled umbrella.