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5 Fast Facts about #5WomenArtists Changing the World: Mickalene Thomas

Blog Category:  5 Fast Facts
An enamel portrait painting of a woman made with encrusted black rhinestones glued to shiny pink acrylic background. An enamel portrait painting of a woman made with encrusted black rhinestones glued to shiny pink acrylic background.

Artist Mickalene Thomas (b. 1971) creates paintings, photography, installations, and multimedia and video works that draw from art history, pop art, and visual culture. Her vibrant works have established a contemporary vision of female sexuality, beauty, race, and power, while centering queer identity. As a queer black woman, Thomas represents other black women in a way that celebrates their agency and erotic beauty.­

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Share your favorite women artists working for LGBTQ rights on Instagram, Twitter, and Facebook using the hashtag #5WomenArtists and tagging @WomenInTheArts.

1. A Seat at the Table

Thomas cites a 1994 trip to the Portland Art Museum as the moment she knew she wanted to be an artist. “I saw Carrie Mae Weems’s work—specifically ‘The Kitchen Table’ series…it was transformative. Not only to me as a young black girl from Camden, New Jersey, standing in a museum in Portland, Oregon, but as a queer woman, as a young artist, seeing those works—they changed my life and allowed me to really consider being an artist.”

2. The Peacock in the Room

Thomas’s work frequently engages with race, gender, and representation through glitter, rhinestones, bright colors, fashion, and lively patterns. About this approach Thomas says, “The sparkles…are flamboyant work. It’s like the peacock in the room; it entices people to engage with the beauty…it draws people in, and then you encourage people to explore the themes on a deeper level.”

3. 21st Century Muse

In 2018, Harper’s Bazaar commissioned Thomas to create a series of images of her partner and muse, Racquel Chevremont, an art adviser and former model who collaborates frequently with Thomas. Curator Kimberly Drew declared the images “an ode to black love, but also a siren’s call for a more diverse future—one in which queer, black, and brown people can imagine the radical possibilities of embracing their own beauty and agency to tell their own stories.”

A front and back view of a pocket mirror that contain two photos of beautiful black women posed. They wear colorful dresses with wide belts. The woman on the front has an Afro, black lipstick, and hoop earrings. The woman on the back wears a long thick necklace and gold beret-fashion hat.
Mickalene Thomas, Pocket mirror (front and back), 2016 (based on Mickalene Thomas, Din Facing Forward (left) and Qusuquzah Standing Sideways (right), 2012); Brushed bronze with epoxy-coated artwork, 2 5/8 in. diameter; Produced by Third Drawer Down; NMWA, Gift of Steven Scott, Baltimore, in honor of NMWA Chief Curator Kathryn Wat; Photo by Lee Stalsworth

4. Dare to Dream

Thomas created a poster for the “Speak Up” fundraiser for the American Civil Liberties Union (ACLU) at Art Basel Miami in 2017. The poster was available for purchase at a pop-up shop and featured the phrase “Dare to Dream” over a photo of two women, including Chevremont, seemingly about to kiss. In a speech at the event, Howard Simon, ACLU Florida executive director, said, “Think about the shifts in the LGBTQ movement…one of the major things that moved that needle was the art community.”

5. Mic Drop

When asked about her role in conversations about race, gender, identity, and power, Thomas said, “As a black female queer artist, the fierce act of creating the work that I make is a courageous act unto itself. My responsibility as an artist is to continue to persevere and make the work, and that enacts change. My work celebrates and represents all types of powerful beautiful black women, period.”

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