Dynamic women designers and artists from the mid-20th century and today create innovative designs, maintain craft traditions, and incorporate new aesthetics into fine art in Pathmakers: Women in Art, Craft,...
![View of a gallery space. On a black wall, it says " Pathmakers: Women in Art, Craft, and Design, Midcentury and Today" in big, white letters, Two pendant lights are hanging from the ceiling to the left.](https://nmwa.org/wp-content/uploads/2023/12/Pathmakers-Exhibition_19_3411-aspect-ratio-2.25-1-14-700x330.jpg)
Learn more about Ruth Asawa's hanging sculpture, Untitled (S.407) (ca. 1952), which is on view in the NMWA exhibition Pathmakers through February 28, 2016.
![A black-and-white photograph of Ruth Asawa holding one of her large, wire crochet sculptures, draped over her shoulder and in both hands. She is a light-skinned, Asian, adult woman with black hair and blunt bangs.](https://nmwa.org/wp-content/uploads/2021/05/3-Asawa-Ruth_HoldingSculpture-1-aspect-ratio-2.25-1.png)
Impress your friends with five fast facts about Petah Coyne, whose work is on view at NMWA.
![A sculpture hangs in a dark gallery. The sculpture comprises layers of melted pink and white wax that form a dress-like shape hanging from satin-wrapped chains. Its color, shape, and bumpy, lacy texture, evoke a frilly tutu, lavishly frosted wedding cake, or coral.](https://nmwa.org/wp-content/uploads/2020/09/Revival-Exhibition_12-aspect-ratio-2.25-1-2559x330.jpg)
![View of the museum from outside showing the Neoclassical building from one corner. The building is a tan-colored stone with an arched doorway, long vertical windows, and detailed molding around the roof.](https://nmwa.org/wp-content/uploads/2020/03/thf46715_nmwa41-scaled-aspect-ratio-2.25x1.jpg)
Within fraught and mysterious settings, Remedios Varo’s fantastical protagonists seem to undertake quests through time or space
![Rendered with precise brushwork, a tall, thin figure strides forward wearing flowing, orange garments emanating a misty golden aura. Her fiery red hair stretches heavenward, encircling a celestial orb. Figures appear encased in the walls of the concave structure surrounding her.](https://nmwa.org/wp-content/uploads/2020/05/2014.155-scaled-aspect-ratio-2.25x1.jpg)
![View of the museum from outside showing the Neoclassical building from one corner. The building is a tan-colored stone with an arched doorway, long vertical windows, and detailed molding around the roof.](https://nmwa.org/wp-content/uploads/2020/03/thf46715_nmwa41-scaled-aspect-ratio-2.25x1.jpg)
Born in Venice, Rosalba Carriera (1675–1757) was the daughter of a clerk and a lace-maker. Largely self-taught, she began her artistic career painting miniature portraits. Carriera employed ivory as the...
![A woman with light-skin and brown hair stands slightly angled and stares straight out to the viewer. In her right hand, she holds an upward-pointing arrow and carries a quill of bows on her back. She wears light feathers in her hair and a delicate jeweled crown.](https://nmwa.org/wp-content/uploads/2023/12/1987.1-GAP_248-aspect-ratio-2.25-1-700x330.jpg)
With over one thousand unique works, NMWA has one of the nation’s most extensive collections of artists’ books. Selections are always on display in the Betty Boyd Dettre Library and...
![An open book full of birds made of paper, flying out of the book.](https://nmwa.org/wp-content/uploads/2023/12/2015.85-v2_18358-aspect-ratio-2.25-1-700x330.jpg)
Merian’s Daughters: Monika E. de Vries Gohlke, Amy Lamb, and Janaina Tschäpe
Posted: September 1, 2015
Category: Artist Spotlight
Three artists credit groundbreaking 17th-century artist and scientist Maria Sibylla Merian, whose work is also on view in Super Natural, as a major influence on their performances, photography, videos, and...
![Close-up photograph shows a trumpet-shaped flower against a dark black background. The flower's striated, long neck erupts in a profusion of purple and white petals that dominate the composition.](https://nmwa.org/wp-content/uploads/2023/12/2015.21_1317-aspect-ratio-2.25-1-700x330.jpg)
The fourth installment of NMWA’s biennial exhibition series, Organic Matters—Women to Watch 2015 is presented by the museum and participating national and international outreach committees. The exhibition’s artists redefine the relationship...
![View of a gallery space. In big letters green , the text on the wall reads "Women to Watch: Organic Matters, 2015."](https://nmwa.org/wp-content/uploads/2024/04/Organic-Matters-2015-Exhibiton_01_7593-aspect-ratio-2.25-1-700x330.jpg)