The catalogue for Books Without Words: The Visual Poetry of Elisabetta Gut includes essays by exhibition curator Krystyna Wasserman and Gut's fellow Italian book artist Mirella Bentivoglio, along with beautiful...
Jean Shin is a master of rendering small objects on a monumental scale. The everyday becomes epic. Her works in The Collaborative Print: Works from SOLO Impression, on view through...
Louise Moillon is an enigma. Born in 1609 or 1610 in France to a Protestant family, her works reflect a distinct Flemish influence, yet at the same time reject the...
Dutch photographer and video-artist Rineke Dijkstra is well known for her intense and intimate approach to portraiture. Her work, typically executed in a serial format, is predicated on people in...
Dotty Attie’s work, mannered, realist, delicate, is all about violence. Masterpieces copied, cut, contextualized anew. Images of women manipulated to accentuate their vulnerability to the powerful male and his gaze....
Third in our summer series of Women to Watch artist spotlights, Jennifer Levonian talks about how she made her work Take Your Picture with a Puma. Levonian's work was recently...
Lesley Dill combines the human body, language, and a range of materials to construct her artwork. The Poetic Body–Gloves, Ears, and Eyes, 1992, exemplifies this practice.
In conjunction with Body of Work: New Perspectives on Figurative Painting, Broad Strokes is proud to spotlight the artists featured in Women to Watch. Select portraitists will be commenting on...
If I could be an artist, I would want to be Joyce Kozloff. Her work draws on maps, illuminations, historical manuscripts, and website imagery, always delighting the eye with decorative...
Ida Applebroog’s simplified figures in comic-like settings wrapped in social criticism make her artwork easily identifiable. The Collaborative Print: Works from SOLO Impression features two of Applebroog’s prints, on view...