From The Collection

View of the museum from outside showing the Neoclassical building from one corner. The building is a tan-colored stone with an arched doorway, long vertical windows, and detailed molding around the roof.
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5 Fast Facts: Remedios Varo

Posted: December 15, 2016
Category: From The Collection
Impress your friends with five fast facts about Surrealist painter Remedios Varo, whose work is on view in NMWA’s collection galleries.
Rendered with precise brushwork, a tall, thin figure strides forward wearing flowing, orange garments emanating a misty golden aura. Her fiery red hair stretches heavenward, encircling a celestial orb. Figures appear encased in the walls of the concave structure surrounding her.

Subconscious Reality: Women Surrealists in Mexico

Posted: October 27, 2016
Category: From The Collection
NMWA’s third-floor galleries feature works by European artists Remedios Varo (1908–1963) and Leonora Carrington (1917–2011). In 20th-century Europe, critics often dismissed women artists working within the male-dominated Surrealist movement. World...
Eerie figures walk, float, swim and stand in a pastoral landscape. A grey house sits next to a small body of water, the lawn decorated with small shrubs and trees. A pair, one dressed and one nude, pet a stripped animal as ghostly figures move through the foreground.

5 Fast Facts: Betye Saar

Posted: October 18, 2016
Category: From The Collection
Impress your friends with five fast facts about American assemblage artist Betye Saar, whose work is in NMWA’s collection.
A black left hand with bright red nails and a red bracelet in a red wooden frame. It sits atop a black and red patterned background, fingers pointing toward a black medallion with an eye and other details. The red frame is surrounded by black and sits within a larger red frame.

5 Fast Facts: Justine Kurland

Posted: August 17, 2016
Category: From The Collection
Impress your friends with five fast facts about American photographer Justine Kurland, whose work is on view in NMWA’s third-floor galleries.
Crouching in the shadow of a highway overpass, three teenage girls with light skin focus intently on lighting smoke bombs.

Material Deception: Honor Freeman and Lynda Benglis

Posted: August 7, 2016
Category: From The Collection
Two sculptures on view in NMWA’s third-floor galleries have much in common despite strong visual differences. Eridanus (1984) by Lynda Benglis is a large metal work that appears twisted and...
A collection of pastel-colored porcelain cups, bowls, containers, and lids that resemble plastic food containers. Some are stacked within and on top of each other. Some containers have lids firmly shut while on others the lids teeter off the edge of container rims.

5 Fast Facts: Hellen van Meene

Posted: August 1, 2016
Category: From The Collection
Impress your friends with five fast facts about Hellen van Meene (b. 1972), whose work is on view in NMWA’s third-floor galleries.

Double Take: Rosa Bonheur in the Eulabee Dix Gallery

Posted: July 26, 2016
Category: From The Collection
NMWA staff recently reinstalled the Eulabee Dix Gallery “salon style” to display more of the museum’s collection. The gallery, now featuring more than 30 works, includes two paintings by the...
A flock of sheep rest on a green hill by the sea. In the center, two adults and a lamb lie in a group. Flat rocks are visible through the grass. The sky has rolling clouds, and a breeze is suggested by the waves crashing on rocks in the sea, which stretches to the horizon.

Artist Spotlight: Mickalene Thomas

Posted: July 23, 2016
Category: From The Collection
Mickalene Thomas continues to dominate art news headlines. In recent years, she exhibited in numerous solo exhibitions around the globe, became the subject of her first monograph, Muse: Mickalene Thomas...
An enamel portrait painting of a woman made with encrusted black rhinestones glued to shiny pink acrylic background.

Staging Strange: Angela Strassheim’s Photographs

Posted: July 19, 2016
Category: From The Collection
Learn more about photographer Angela Strassheim's unsettling images of crime scenes, domestic activities, and oddly posed figures.
Three light-skinned children: one with long, blonde hair wears fairy wings and kneels, reading a book, behind a toy castle in a doorway full of light; one asleep on a bed on the left; and one under a bed on the right. Between the beds, dozens of toy horses stampede at the viewer.

Louise Fishman: Freedom in the Abstract

Posted: July 11, 2016
Category: From The Collection
eaturing 50 years of Fishman’s boundary-pushing works, the catalogue Louise Fishman (DelMonico Books/Prestel, 2016) was published for her first-ever retrospective, at the Neuberger Museum of Art, as well as a...
A canvas that has been thickly painted to have a dark brown and black background. The outlines of two large white ovals are placed side by side, spanning the width of the canvas and almost two-thirds the height, and rendered with visible brushwork. The left oval is slightly larger than the right. Inside the ovals are splotches of red and white paint, which have been applied in similarly thick brushstrokes.