Nmwa Exhibitions

View of the museum from outside showing the Neoclassical building from one corner. The building is a tan-colored stone with an arched doorway, long vertical windows, and detailed molding around the roof.

“Hey, Soul Sister”

Posted: July 9, 2013
Category: Nmwa Exhibitions
Faith Ringgold, forthright about demanding viewers’ attention, made this statement in regard to her controversial “American People” series, which often depicted violent and uneasy interactions, but it applies to her...
Modernist portrait of a dark-skinned woman with her hair styled in a 1960's updo, wearing pearl earrings and a pearl necklace. In a style akin to Cubism, solid-colored shapes in browns, blues, black and orange, are arranged to create the overall image.

Exploring Faith Ringgold’s “American People” on July Fourth

Posted: July 3, 2013
Category: Nmwa Exhibitions
On this Fourth of July, explore America through Faith Ringgold's paintings, now on view in the NMWA exhibition American People, Black Light: Faith Ringgold's Paintings of the 1960s.
Modernist portrait of a dark-skinned woman with her hair styled in a 1960's updo, wearing pearl earrings and a pearl necklace. In a style akin to Cubism, solid-colored shapes in browns, blues, black and orange, are arranged to create the overall image.

Gendered Interiors

Posted: May 10, 2013
Category: Nmwa Exhibitions
When Anna Ancher painted rooms in her family home in Skagen, Denmark, she presented very different images when she associated herself versus her husband with the represented space. Depictions of...
Expressionist painting of a man and two women wearing white headscarves walking through a waist-high wheat field. The man and the woman following in the back carry scythes to cut the wheat.

Shedding Light: A Curator’s Perspective on Anna Ancher

Posted: May 9, 2013
Category: Nmwa Exhibitions
"If you ask Danes to name a woman artist, they will say Anna Ancher," declared Skagens Museum curator Mette Bøgh Jensen in an enlightening gallery talk of A World Apart:...
Expressionist painting of a man and two women wearing white headscarves walking through a waist-high wheat field. The man and the woman following in the back carry scythes to cut the wheat.

Daring Danish Designer Nanna Ditzel (Part 2 of 2)

Posted: May 2, 2013
Category: Nmwa Exhibitions
In honor of A World Apart: Anna Ancher and the Skagen Art Colony, on view through May 12, 2013, we’re researching other delightful, innovative, and interesting Danish women in the...
View of a gallery space. On a white wall, it says "A World Apart: Anna Ancher and the Skagen Art Colony."

Daring Danish Designer Nanna Ditzel (Part 1 of 2)

Posted: May 1, 2013
Category: Nmwa Exhibitions
In honor of A World Apart: Anna Ancher and the Skagen Art Colony, on view through May 12, 2013, we’re researching other delightful, innovative, and interesting Danish women in the...
View of a gallery space. On a white wall, it says "A World Apart: Anna Ancher and the Skagen Art Colony."

Traditional Roots: Family Paintings in “A World Apart”

Posted: April 18, 2013
Category: Nmwa Exhibitions
Unsurprisingly, Skagen artists found willing models in their family members. Anna and Michael Ancher painted each other as well as other members of the close-knit Brøndum family, as shown in...
View of a gallery space. On a white wall, it says "A World Apart: Anna Ancher and the Skagen Art Colony."

NMWA’s Nordic Cool

Posted: April 12, 2013
Category: Nmwa Exhibitions
In honor of A World Apart: Anna Ancher and the Skagen Art Colony, on view through May 12, 2013, we’re researching other delightful, innovative, and interesting Danish women in the...
View of a gallery space. On a white wall, it says "A World Apart: Anna Ancher and the Skagen Art Colony."

The Skagen Terrain: Land and Sea Paintings

Posted: April 9, 2013
Category: Nmwa Exhibitions
“Skagen was a magical city of beaches entirely surrounded by water,” writes Skagens museum curator Mette Bogh Jensen in the exhibition catalogue. As one of the thematic sections of A...
Expressionist painting of a man and two women wearing white headscarves walking through a waist-high wheat field. The man and the woman following in the back carry scythes to cut the wheat.

Thoughts on Freya Grand’s “Minding the Landscape” (Part 2 of 2)

Posted: April 4, 2013
Category: Nmwa Exhibitions
In addition to the Romantic and sublime that can be seen in Freya Grand’s work, the idea of “minding the landscape,” and her way of presenting it, also recalls the...
View of an installation. A large painting of a rock formation is hanging on a white wall under the text: "Freya Grand."