Urgent Museum Notice

Image for Humanly Possible: Patricia Piccinini

Humanly Possible: Patricia Piccinini

Blog Category:  NMWA Exhibitions

In celebration of NMWA’s 30th anniversary, and inspired by the museum’s focus on contemporary women artists as catalysts for change, Revival illuminates how women working in sculpture, photography, and video use spectacle and scale for expressive effect.

Installation view of Patricia Piccinini’s The Young Family; © Yassine El Mansouri

Patricia Piccinini (b. 1965, Freetown, Sierra Leone)
Patricia Piccinini lives and works in Melbourne, Australia. She earned a degree in Economic History before studying painting at the Victorian College of the Arts. In 2016, she received a doctorate in Visual and Performing Arts from the University of Melbourne, where she currently teaches. Piccinini’s work primarily explores the relationships between the natural and constructed worlds, creating hybrid creatures and machines that are simultaneously beautiful and grotesque. Focusing on ideas rather than methods, Piccinini translates her thoughts through a variety of media, including drawing, painting, sculpture, video, sound, installation, and digital prints.
The Artist’s Voice:
“My work aims to shift the way that people look at the world around them, and question their assumptions about the relationships they have with the world. I am especially interested in things that fall outside of our traditional ideas of normal or beautiful, or that step across the boundaries that we erect between things. How does contemporary technology and culture change our understanding of what it means to be human? What is our relationship with—and responsibilities towards—that which we create?”—Patricia Piccinini, in an interview with The Condition Report
“My work is all imagined. It’s all imagined in a place that is not far ahead of the space we live in now. I often think it’s about the world we live in actually. . . . But sometimes people think that I’ve got the solutions to what’s going to happen in the future and that in fact my work is a sort of precautionary tale or something of that nature, when in fact I really don’t have the answers.”—Patricia Piccinini, in a video interview with Centenary of Canberra

Patricia Piccinini, The Young Family, 2002; Silicone, acrylic, human hair, leather, and wood, 36 x 65 x 50 in.; NMWA, Gift of The Heather and Tony Podesta Collection; © Patricia Piccinini

Revival Highlight:
Piccinini’s The Young Family (2002) depicts transgenic beings—organisms into which genetic material from an unrelated organism has been artificially introduced. The artist collaborates with specialists from various fields of contemporary industrial manufacture to make her ideas a reality. Constructed using silicone, acrylic, human hair, leather, and wood, the sculpture shares human and animal features, eliciting both disgust and empathy from the viewer. Piccinini’s imagining of these hybrid creatures takes the form of a mother figure nursing her young. The central creature seems to have a familiar, maternal gaze, but also appears to have much more alien physiognomy. This unsettling juxtaposition sparks conversation about society’s preparedness for the ethical and emotional results of genetic manipulations.
Visit the museum and explore Revival, on view through September 10, 2017.

Related Posts

  • Now Open: Return to Nature

    Posted: Aug 05, 2020 in Exhibitions
    Today, grappling with a period of global quarantine, many people are experiencing an urge to return to the outdoors, seeking comfort and revitalization in nature. Return to Nature, a pop-up installation showcasing a selection of historical and contemporary photographs from NMWA’s collection, illustrates artists’ longstanding fascination with the natural world.
    Blog Category:  Exhibitions
  • Art Fix Friday: July 31, 2020

    Posted: Jul 31, 2020 in Art Fix Friday
    Grace Lynne Hayes debuts a new portrait of Sojourner Truth for this week’s cover of the New Yorker; A profile on Thandi Sibisi, South Africa's first Black woman gallerist; A new show on ecofeminism at Thomas Erben Gallery; and more.
    A black-and-white photograph of a light-skinned adult woman holding a newspaper with news about World War II. She wears a coat and her short, curly hair is caught in the wind.
    Blog Category:  Art Fix Friday
  • Mask Up! Five Questions with Scarlett Baily

    Posted: Jul 30, 2020 in Museum Shop
    Scarlett Baily is a Chicana visual artist, based in Mexico City, who specializes in murals, paintings, and illustration. Her designs celebrating women artists and civil rights adorn new face masks from NMWA's Museum Shop, now available for purchase.
    Blog Category:  Museum Shop