Urgent Museum Notice

Image for Recent Acquisitions At The Lrc: Richenda Cunningham’s Letter

Recent Acquisitions at the LRC: Richenda Cunningham’s Letter

Blog Category:  From the Collection

The next time you visit NMWA, come to the Betty Boyd Dettre Library and Research Center (LRC) to see new books on art, as well as reference books, artists’ books, and more!

Richenda Cunningham, Temple of Caius & Lucius Caesar, or Maison Carre (from the series "Nine Views Taken on the Continent"), ca. 1830; Lithograph on paper, 13 x 16 1/2 in.; National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay
Richenda Cunningham, Temple of Caius & Lucius Caesar, or Maison Carre (from the series “Nine Views Taken on the Continent”), ca. 1830; Lithograph on paper, 13 x 16 1/2 in.; National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay

The LRC recently acquired an original letter from British printer Richenda (Gurney) Cunningham (1782–1855). Her lithographic portfolio of travel prints “Nine Views Taken on the Continent” (ca. 1830) resides in the museum’s collection and was on view in the 2011 exhibition The Art of Travel: Picturesque Views of Europe by Richenda Cunningham.
“Nine Views” consists of nine 13-by-16 inch prints that were drawn by Cunningham and produced by prominent English lithograph printer Charles Joseph Hullmandel. The series includes drawings of landscapes and tourist locales such as Provence and the Rhineland, which Cunningham visited when touring Europe in 1815.
Cunningham was greatly influenced by Romanticism, a pervasive movement sweeping England in the 18th and 19th centuries that encouraged a love of nature and travel. Cunningham’s “Nine Views” could be compared to other popular travelogue-style lithographs  from the time. The artist included visually enticing elements of rugged landscapes for embellishment. Her lithographs were likely produced in the 1820s and 1830s, before lithography became a more commercial practice in the mid-century.

Richenda Cunningham, Villar, Valley of Luzerne, Piedmont (from the series "Nine Views Taken on the Continent"), ca. 1830; Lithograph on paper, 13 x 16 1/2 in.; National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay
Richenda Cunningham, Villar, Valley of Luzerne, Piedmont (from the series “Nine Views Taken on the Continent”), ca. 1830; Lithograph on paper, 13 x 16 1/2 in.; National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay

Cunningham’s prints were in such high enough demand that they had to be re-printed several times, evident from the letter, which is a response to a request for more prints by a patron, Ms. Thompson. This letter shows Cunningham dealing with her own business transactions as a professional artist. In the letter Cunningham “takes the liberty of charging” Ms. Thompson with two more copies of her prints, then politely invites her to the artist’s home “should any circumstances lead [Ms. Thompson] into our neighborhood.” This letter is both a business record and a piece of personal correspondence, helping us to better understand the daily interactions of a woman artist in the 19th century.

Letter from Richenda Cunningham to Ms. Thompson. Dated September 21, 18--. Betty Boyd Library & Research Center, National Museum of Women in the Arts.
Letter from Richenda Cunningham to Ms. Thompson. Dated September 21, 18–. Betty Boyd Library and Research Center, National Museum of Women in the Arts.

The LRC is always thrilled to acquire primary source material concerning artists represented in the museum’s collection. This letter is particularly interesting because there is so little known about the details of Cunningham’s life.
All are welcome to view this letter in the Betty Boyd Dettre Library and Research Center at the National Museum of Women in the Arts. If you’re touring the museum’s exhibitions, the library is open to the public and makes a great starting point on the fourth floor. In addition to beautiful books and comfortable chairs, library visitors enjoy interesting exhibitions that feature archival manuscripts, personal papers by women artists, rare books, and artists’ books. Reference Desk staff members are always happy to answer questions and offer assistance. Open Monday–Friday, 10 a.m.–12 p.m. and 1–5 p.m.

Related Posts

  • Art Fix Friday: September 25, 2020

    Posted: Sep 24, 2020 in Art Fix Friday
    Honoring Ruth Bader Ginsburg through art; An interview with Graciela Iturbide; The COVID-19 era works of women artists in India; and more.
    A black-and-white photograph of a light-skinned adult woman holding a newspaper with news about World War II. She wears a coat and her short, curly hair is caught in the wind.
    Blog Category:  Art Fix Friday
  • Alma Woodsey Thomas: Hidden History

    Posted: Sep 21, 2020 in Behind the Scenes
    Through collaborating with a research team from the Smithsonian American Art Museum (SAAM), NMWA gained vivid new insight into beloved works by Washington, D.C., artistic icon Alma Woodsey Thomas (1891–1978).
    Abstract painting composed of brightly colored, lozenge-shaped brushstrokes in vertical stripes of navy, purple, turqouise, yellow, orange and red.The overall effect is as if the painting was collaged out of torn pieces of paper, with the white of the canvas showing through.
    Blog Category:  Behind the Scenes
  • Art Fix Friday: September 18, 2020

    Posted: Sep 18, 2020 in Art Fix Friday
    Mierle Laderman Ukeles's new installation honors New York City service workers; Artists and museums collaborate with PlanYourVote.org; A new graphic biography on Yayoi Kusama; and more.
    A black-and-white photograph of a light-skinned adult woman holding a newspaper with news about World War II. She wears a coat and her short, curly hair is caught in the wind.
    Blog Category:  Art Fix Friday