![View of the museum from outside showing the Neoclassical building from one corner. The building is a tan-colored stone with an arched doorway, long vertical windows, and detailed molding around the roof.](https://nmwa.org/wp-content/uploads/2020/03/thf46715_nmwa41-scaled-aspect-ratio-2.25x1.jpg)
![View of the museum from outside showing the Neoclassical building from one corner. The building is a tan-colored stone with an arched doorway, long vertical windows, and detailed molding around the roof.](https://nmwa.org/wp-content/uploads/2020/03/thf46715_nmwa41-scaled-aspect-ratio-2.25x1.jpg)
![View of the museum from outside showing the Neoclassical building from one corner. The building is a tan-colored stone with an arched doorway, long vertical windows, and detailed molding around the roof.](https://nmwa.org/wp-content/uploads/2020/03/thf46715_nmwa41-scaled-aspect-ratio-2.25x1.jpg)
![View of the museum from outside showing the Neoclassical building from one corner. The building is a tan-colored stone with an arched doorway, long vertical windows, and detailed molding around the roof.](https://nmwa.org/wp-content/uploads/2020/03/thf46715_nmwa41-scaled-aspect-ratio-2.25x1.jpg)
Patricia Piccinini’s The Stags is currently on view in NMWA’s summer exhibition Super Natural. In sleek and shimmering fiberglass, the two large sculptural pieces of The Stags combine characteristics of...
![A sculpture consists of two metallic-orange motor scooters manipulated to resemble male deer. Leather seats become haunches, dashboard dials resemble faces, and multiple rear-view mirrors morph into antlers. The serpentine, hybrid animal-machines appear to spar for dominance.](https://nmwa.org/wp-content/uploads/2024/02/2014.120_from-artist-aspect-ratio-2.25-1-700x330.jpg)
![View of the museum from outside showing the Neoclassical building from one corner. The building is a tan-colored stone with an arched doorway, long vertical windows, and detailed molding around the roof.](https://nmwa.org/wp-content/uploads/2020/03/thf46715_nmwa41-scaled-aspect-ratio-2.25x1.jpg)
Painting with Confidence: Early Female Self-Portraiture
Posted: July 15, 2015
Category: Sophie Taeuber-Arp
Self-portraits convey more than just appearances—they affirm an artist’s identity. In the 16th and 17th centuries, women artists made portraits of themselves in their studios. Self-portraiture helped legitimize women as...
![Painting of a trio of smiling musicians. On the left, a man wears a large black hat and plays the violin. On the right sits a man in orange wearing a feathered hat and playing the mandolin. In the center sits a woman dressed in black, opening her mouth in song.](https://nmwa.org/wp-content/uploads/2024/01/2001.146-GAP_506-aspect-ratio-2.25-1-700x330.jpg)