Featuring work by thirty-six global artists, Women House challenges conventional ideas about gender and the domestic space. The exhibition is inspired by the landmark project Womanhouse, developed in 1972 by Judy Chicago and Miriam Schapiro. With works that disrupted traditional ideas about the home as a feminine realm, Womanhouse was the first female-centered art installation to appear in the Western world. In the new exhibition, Women House, women artists from the 1960s to today examine the persistence of stereotypes about the house as a feminine space.
Through photography, sculpture, installation and video works organized across eight themes, Women House emphasizes the plurality of women’s views on the home. In Walking House (1989), Laurie Simmons creates a playful yet disconcerting image of the female body being consumed by expectations and responsibilities. Laure Tixier’s series Plaid House (Maquette) (2005–11) explores domestic architecture from worldwide cultures in solid-colored felt sculptures that resemble miniature residential homes, tents, towers, or high-rise buildings. Zanele Muholi’s 2007 photograph of a young female couple in South Africa leaning into the warmth of their kitchen stove speaks to the possibility of domestic space as a place of both privacy and freedom.
![Sculpture of a large, brown brick house with black roof sits atop white mannequin legs forming a half-house, half-woman creature.](https://nmwa.org/wp-content/uploads/2020/02/Simmons-Walking-House-1200x0-c-default.webp)
Laurie Simmons, Walking House, 1989; Collection of Dr. Dana Beth Ardi; Photo courtesy of the artist and Salon 94, New York
Exhibition Sponsors
Women House is organized by La Monnaie de Paris. Its presentation at NMWA is made possible by GRoW @ Annenberg and Denise Littlefield Sobel. Additional funding is provided by the Sue J. Henry and Carter G. Phillips Exhibition Fund, Belinda de Gaudemar, the Estate of Sara D. Toney, Mahinder and Sharad Tak, and Étant Donnés Contemporary Art, a program of FACE Foundation.
Étant Donnés is developed in partnership with the Cultural Services of the French Embassy in the United States, with lead funding from the Florence Gould Foundation, the Helen Frankenthaler Foundation, the French Ministry of Culture, and Institut Français-Paris. NMWA also thanks Regina Weingarten for her special contributions. Further support for Women House at NMWA is provided by American Airlines, the official airline of the museum’s 30th Anniversary.
- American Airlines
- Grow Annenberg
- Face Foundation Logo
Exhibition Gallery
The Artist,
Louise Bourgeois
Louise Bourgeois is considered one of the most inventive and influential sculptors of the 20th century for her use of unconventional materials and allusive psychological content.![Black-and-white photograph of an older woman with her short, dark hair brushed back. Sitting with her left hand raised, her deeply lined face looks off-camera, her eyes squinting slightly and her lips pursed. She wears a gold earring, gold wedding ring and a white shirt.](https://nmwa.org/wp-content/uploads/2020/01/Bourgeois-Louise.webp)
The Artist,
Judy Chicago
After more than four decades, Judy Chicago continues to be an influential feminist artist, author, and educator. Her work helped establish the Feminist Art Movement of the 1970s.![A light-skinned older woman with short purple-and-white hair smiles slightly, arms out to the side. She wears a blue sequin top with long black lace sleeves, a gold necklace, hoop earrings, and blue glasses. The sky and tree branches are behind her.](https://nmwa.org/wp-content/uploads/2020/01/Chicago-Judy.webp)
The Artist,
Kirsten Justesen
Pioneer of Body art, Kirsten Justesen is best-known for her feminist performances and sculptures that center on her nude body and address issues of gender, politics, physics, and time.![Close-up black-and-white studio portrait of a light-skinned adult woman in profile. Her hair is pulled back and she wears a crown of icicles. Small streams of liquid run down her face and neck.](https://nmwa.org/wp-content/uploads/2020/01/Justesen-Kirsten.webp)
The Artist,
Miriam Schapiro
Miriam Schapiro challenged the dichotomy of “high” art, denoting the works of known, predominantly male artists, and “decorative” art, a term then used to relegate women to anonymity.![Black and white photo of a woman shot from the waist up. She rests her chin in her right hand, her right elbow propped on a table next to bottles of paint. She smiles with her whole face and her grey hair is brushed back. She wears a light blouse and large cocktail ring.](https://nmwa.org/wp-content/uploads/2020/01/Schapiro-Miriam.webp)
The Artist,
Cindy Sherman
Through her photographs, Cindy Sherman examines women’s roles in society and questions the ways in which the viewer looks at and identifies with the women she portrays.![A black-and-white photograph of a light-skinned adult woman with medium-length straight blonde hair. She wears a dark colored long sleeved shirt. Shown from her mid-section up, she stands in front of a brick wall and glances to the side.](https://nmwa.org/wp-content/uploads/2020/01/Sherman-Cindy.webp)
Broad Strokes Blog
Women House: Beginnings
![](https://nmwa.org/wp-content/uploads/2020/06/Women-House-Exhibition-002-aspect-ratio-2.25x1-1200x0-c-default.webp)
Related Media
Videos
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