Urgent Museum Notice

May Stevens

Photo of a light skinned woman against an abstract background. Shot from the chest up, her left hand is slightly raised in a wave. Short, brown hair frames her face, her mouth slightly open. Her eyebrows are raised, as if the image was taken when she was mid-sentence.

Photo courtesy of Mary Ryan Gallery, New York


Stevens was born into a working-class family in Quincy, Massachusetts, near Boston. Her outlook on society, and consequentially her artwork, was influenced by the poverty and lack of opportunities for women that she witnessed around her. Following art studies in Boston and New York City she married fellow artist-activist Rudolf Baranik in 1948.

From the beginning, Stevens believed that art must be used for social commentary, not just personal expression. Her art typically relates to her personal experiences as a political activist.

She engaged with the Civil Rights Movement, leading to a 1964 exhibition called Freedom Riders, for which Martin Luther King, Jr. wrote the catalogue introduction. Stevens’ Big Daddy series from 1967–76 were made as an angry response to the Vietnam War. These large, pop art-style paintings are among her most famous.

Inspired by the Feminist Art Movement, Stevens celebrated the lives of women artists in individual and group portraits, which she considers “alternative” art histories. She also helped found the magazine Heresies: A Feminist Publication on Art and Politics, published from 1977–92.

The death of Stevens’ son in 1981 shifted the direction in her work; her later paintings were landscapes imbued with a sense of poignancy.

Artist Details

  • Name

    May Stevens
  • Birth

    Boston, 1924
  • Death

    Santa Fe, NM, 2019
  • Phonetic Spelling

    may STEE-vehnz

Works by May Stevens

SoHo Women Artists

Directly involved with the 1970s feminist art movement in New York, May Stevens created this contemporary version of an academic history painting.

Traditional western history paintings present scenes from classical or Christian history and typically exclude female figures. SoHo Women Artists is part of a series of historically-styled works that Stevens created to recognize women artists and call for the inclusion...

Life-sized, full-length portraits of 12 individuals form a frieze-like composition against a saturated lapis-blue background. Most of those portrayed are noted feminist artists and critics. Details from the artist's earlier paintings appear above and to the right of the figures.