Suzanne Valadon, Galerie Bernier, Paris, 1939; Suzanne Valadon, Galerie Georges Petit, Paris, 1932; Suzanne Valadon, Galerie le Centaure, Brussels, Belgium, 1931; Suzanne Valadon, Galerie Berthe Weill, Paris, 1927
Four Centuries of Women’s Art: The National Museum of Women in the Arts, 1990–91
About the Artist
French painter Suzanne Valadon created powerful, unconventional, and sometimes controversial figure paintings, often of female nudes.
Born Marie-Clémentine, Valadon was the daughter of an unmarried domestic worker. She grew up in Montmartre, the bohemian quarter of Paris, supporting herself from the age of ten with odd jobs: waitress, nanny, and circus performer. A fall from a trapeze led her in a new direction.
From 1880 to 1893, Valadon modeled for several of the most important painters of her day, including Pierre-Auguste Renoir and Henri de Toulouse-Lautrec. Although she could not afford formal art classes, Valadon learned readily from the painters around her. Close friend and mentor Edgar Degas also taught her drawing and etching techniques. Valadon soon transitioned from an artist’s model into a successful artist.
Valadon also had a complicated personal life. By 1909, she had given birth out of wedlock to Maurice Utrillo (who later became an artist), married, and divorced. That same year, Valadon, 44, started painting full time. A mere two years later, she attracted critical acclaim with her first solo exhibition.
She rose to the peak of her fame in the 1920s, and had four major retrospective exhibitions during her lifetime. Through her paintings and prints, Valadon transformed the genre of the female nude by providing an insightful expression of women’s experiences.