Opening this Week: Women Artists of the Dutch Golden Age
Posted: October 8, 2019
Category: Nmwa Exhibitions
In Judy Chicago's newest body of work, she draws on Swiss-born psychiatrist Elisabeth Kübler-Ross's five stages of grief. She represents these stages of grief and simultaneously reckons with her own...
Live Dangerously reveals the bold and dynamic ways in which female bodies inhabit and activate the natural world. Twelve groundbreaking photographers use humor, drama, ambiguity, and innovative storytelling to illuminate...
The End: A Meditation on Death and Extinction, the newest body of work by iconic feminist artist Judy Chicago, continues the artist’s practice of tackling taboo subjects. In these works,...
Art and Social Messaging in More is More: Multiples
Posted: July 31, 2019
Category: Nmwa Exhibitions
Many of the artists whose work is on view in More is More: Multiples have challenged stereotypical notions of womanhood since the 1970s, and their messages are still relevant today.
Ursula von Rydingsvard: The Contour of Feeling presents the artist’s monumental cedar wood sculptures alongside newer works for the first time.
Ursula von Rydingsvard has created large-scale sculptures that can be visited in public parks, plazas, and civic buildings across the country. Curious to discover more of her work? Here are...
Finding Meaning in Form: Ursula von Rydingsvard’s Process
Posted: June 19, 2019
Category: Nmwa Exhibitions
Ursula von Rydingsvard's sculptural practice is a way to give tangible form to her feelings and ideas. It must not only be understood in technical terms, but also as an...
Industrial Aesthetic: The Tire Sculptures of Betsabée Romero and Chakaia Booker
Posted: June 10, 2019
Category: Nmwa Exhibitions
The rubber tire, a globally omnipresent object that is mass-produced more than a billion times each year, is used as a medium by two artists, Betsabée Romero and Chakaia Booker,...
Heavy Lifting: Behind the Scenes of The Contour of Feeling
Posted: May 20, 2019
Category: Nmwa Exhibitions
A frequent question from visitors to the museum’s Ursula von Rydingsvard exhibition is: how did you get these sculptures into the building? A conversation with NMWA Registrar Catherine Bade revealed...