Patricia Piccinini

Patricia Piccinini

Born 1965

Artist Details

Birth Place
Freetown, Sierra Leone
Medium
Sculpture
Places of Residence
Melbourne, Australia
Training
Bachelor of Arts (Painting), Victorian College of the Arts, Victoria, Australia, 1991; Bachelor of Arts (Economic History), Australian National University, Canberra,1988
Retrospective Exhibitions

Retrospectology, Australian Centre for Contemporary Art, Melbourne, 2002

NMWA Exhibitions

About the Artist

Patricia Piccinini’s sculptures of hybrid creatures question the implications of biotechnologies and humanity’s encroachment into “natural” processes.

Expanding the hyperrealist tradition in sculpture, Piccinini uses an array of materials—including silicone, leather, and human hair—to form beings that might result from genetic science. Beasties with soulful brown eyes and long ears, scales, or webbed extremities, appear simultaneously appealing and grotesque.

In the mid-2000s, Piccinini began imagining  machines that develop animalistic behaviors, becoming autonomous organisms. She created futuristic sculptures made from fiberglass, steel, and leather, that resemble mutated motor scooters and racing helmets. Both impressive and disconcerting, these sculptures intimate that humans can manipulate but not control life or evolution.

Piccinini first earned a degree in economic history and then a B.A. in painting. Early in her career, she spent time in medical museums making drawings of preserved specimens. Her studies of pathologies and aberrations of anatomy influenced her sculptures.

All of Piccinini’s works begin with her drawings, which she and a small team of technicians translate into three-dimensional objects. They use traditional processes (such as hand-sculpted plasticine models), as well as computer-based techniques like CNC milling and 3D-printing to test ideas before fabricating finished works.

National Museum of Women in the Arts